残叶枯茎袅余香硕士学位论文.doc

硕士学位论文 残叶枯茎袅余香 ——我的创作报告 学 科 专 业 \ 学 位 类 型 □\ 研 究 生 姓 名 \ 导师姓名、职称 \ 论 文 编 号 摘 要 枯荷与芭蕉自古就是许多画家的表现题材，文人画兴起后更成为画家们表现孤独、孤傲、自信、郁闷、至死不渝精神的载体。如明代的陈洪绶，清代的八大山人、石涛及当代的蒋采萍等画家。纵观这些画家们的作品，不是以勾线染色的工笔形式来表情达意，就是用水墨淋漓的写意方式来抒发情感。用什么样的表现方式将物象的形态与情态和画者要赋予它的精神内涵有机的结合起来，这将是我要在创作中探索的问题。我之所以选择枯荷与芭蕉作为毕业创作的题材，是因为它们不仅能体现我的审美情怀，而且是研究将皴、擦技法融入工笔花鸟画创作中很好的载体。Abstract Dead load and the banana is the ancient many painters of the theme, literati painting has become more lonely, lonely expression vector of painters, self-confidence, depressed, will never change until death spirit. Such as the Ming Dynasty, Chen Hongshou, the Qing Dynasty Badashanren, Shi Tao and contemporary painters and so on Jiang Caiping. Most of these painters work, not staining to hook line fine brushwork form of expression, is the use of ink and wash painting to express feelings. The images of the configuration and modality and the painting to give the spiritual connotation of organic combination with what kind of performance, this is I want to explore the questions in the creation. The reason why I choose dry charge and banana as his graduation creation theme, because they not only embodies the aesthetic feelings, but also study will be cracked, rub a good carrier technique in the creation of the Chinese painting. Taking the creation as the basis, from the origin, concept art, performance techniques of interpretation and creation experience of these four parts to illustrate the author explores using cracked, rub and techniques in the creation of the Chinese painting. . Keywords: Experience of painting techniques, Leaf dry stems, Fragrance, Creation 目 录 中文摘要 I 英文摘要 II 引 言 1 1缘 起 2 2艺术构思 4 2.1、残叶枯茎 4 2.2、不似似之 5 2.3、余香 7 3表现技法释义 9 3.1、皴、擦技法缘由 9 3.2、皴、擦技法形式美 10 3.3、我在创作中对皴、擦技法的运用 10 4创作体会 13 结 语 14 参考文献 15 附录1 16 后 记 18 枯荷与芭蕉自古就是许多画家的表现题材，文人画兴起后更成为画家们表现孤独、孤傲、自信、、至死不渝精神的载体。如明代的陈洪绶，清代的八大山人、石涛及当代的蒋采萍等画家。纵观这些画家们的作品，不是以勾线染色的工笔形式来表情达意，就是用水墨淋漓的写意方式