常承常变趋变求新——解析关良的水墨戏曲人物画-美术学国画专业论文 word格式.docxVIP

目录一、绪论...................................................................................................................11、课题研究的背景、任务、意义............…...............................….......................................12、研究现状.…·…....................................................................................................................2二、从中国传统艺术看关良水墨戏曲人物画的承变..........................… ..............21、关良戏画承变之初探...............................…..............................................................22、中国传统绘画因素在关良戏画中的承载................................…..........…................ 33、京剧舞台艺术精神在关良戏画中的承载................................................................ 4三、关良戏画的创新....…………………………………………………………...............51、绘画语言形式的创新.................…........................…........................................…........…...5(1)独到笔线................…...............................…....................….....................................5(2) 亮丽墨彩.....….........................................................................................................7(3)简洁造型.................……………………………………………..................…·….......….......... 72、与林风眠、丁衍庸比较看关良戏画的创新............….........…................…................ 8(1)林风眠与关良的比较.............……................................…............................…........8(2) 丁衍庸与关良的比较....................……...............….........................…… ................103、马蒂斯、毕加索与关良绘画艺术的比较......................................................................12(1)马蒂斯与关良的比较.................…..........................…… .......................................12(2) 毕加索与关良的比较..................................….............................……...................13四、关良戏画的影响及对探索中国画创新的启示....二.............................141、关良戏画的影响............……..….........................................… ...................................142、关良戏画对探索中国画创新的启示.......….............................…............................15五、结