论二战时期日本电影国策下的国策电影-DPIProceedings.PDFVIP

2018 3rd International Conference on Society Science and Economics Development (ICSSED 2018) ISBN: 978-1-60595-031-0 The Japan Films under the National Policy during WWII a b Wei Lu and Yunfei Liu Chongqing University of Posts and Telecommunications, Nanan district, Chongqing, China a b reedliam@163.com, liuyunfei@163.com Keywords: Japanese WWII films, national policy on film, films created under the national policy Abstract. During WWII, on the lessons of wars with China and Russia, Japan, by learning from Germans propaganda policy through films, coined what-so-called “National Policy on Film”, which was “Japanese Cinema Law” issued in 1939. Under the policy, Japan made a great number of “Films of National Policy”, like war-oriented films, anti-spy films, films on patriotism and recruitment, on home-front industries and oversea colonialism. They were all products of that period for the purpose of propagandizing and serving the war started by Japan. Because their aim was beguiling people home and abroad and justifying the war, which caused those films were low-level, on not only ideology but art. 论二战时期日本“电影国策”下的“国策电影” 1,a 2,b 卢 伟 ，刘云飞 1,2重庆邮电大学传媒艺术学院，南岸区，重庆，中国 areedliam@163.com, bliuyunfei@163.com 关键词: 日本二战电影; 电影国策; 国策电影; 中文摘要. 二战时期，日本总结甲午中日战争和日俄战争的经验，学习法西斯德国的电影宣 传政策，制定了所谓的“电影国策”，即颁布了1939年“日本电影法”。在此法案之下，日 本创作了大量的“国策电影”，包括直接战争电影、防范间谍电影、爱国征召电影、后方产 业电影和海外拓殖电影等类型电影。这些电影都是时代的产物，直接为日本发动的这场战争 进行宣传和服务，旨在一种电影国策下麻痹国内外民众，为其战争正名，其思想性、艺术性 都表现平平。 1．引言 日本二战电影经历了随军纪录片（反映日俄战争的纪录片）和一系列故事片的准备，在 二战伊始，便具备了成熟的战争电影的影像特点，其宣传和教化的功能被提升到国家策略的 程度，因此我们把