呼兰河传的空间叙事艺术.pdfVIP

摘 要 摘 要 萧红是二十世纪中国文坛的一颗璀璨明珠，这位被誉为“30年代文学洛神”的天才 的女作家在她短短九年的文学创作生涯中，为后人留下了《生死场》、《呼兰河传》、《马 伯乐》、《小城三月》、《商市街》等多部经典作品。几十年来，众多学者高度关注萧红， 特别是八十年代以来，萧红及其作品成为海内外研究的热点之一，各种新论层出不穷。 笔者认为在萧红的小说中，空间往往超越了时间而作为一种整体存在，而《呼兰河传》 的空间特色更为鲜明。 本文将运用空间叙事学理论对《呼兰河传》进行考察研究，探讨萧红小说《呼兰河 传》空间形式的创造对于传统小说诗学的突破，分析小说中构建的地志物理空间、社会 文化空间、情感心理空间、反讽隐喻空间以及文本空间所呈现出的整一的空间情境、并 置的空间结构、时间流动的中止等特征，挖掘《呼兰河传》作为一部典型的空间形式小 说的艺术价值。 关键词 空间 叙事 文本 并置 I Abstract Abstract Regarded as the “Literary Luo in 1930s”, Xiao Hong, a genius, is a shinning pearl in Chinese literary field in the 20th century, who created a great many excellent works in her just nine years’ literary career, such as The Scene of Life and Death,The Biography of Hulan River, March in Small Town, commercial city street etc. For decades, she has been paid close attention to by scholars. Especially since the 1980s, she with her works has become one of the hotspots at home and abroad, various thoughts appearing endlessly. The author considers that the space exists as a whole which exceeds the time in Xiao’s novel and The Biography of Hulan River shows the feature distinctly. By using the narratology of space, this article will research into The Biography of Hulan River, to discuss the breakthrough brought by the creation of space form in poetical novels, to analyze the space of topography and physics, the space of social culture, the space of psychological sentiments, the space of irony and metaphor and the space of the context, showing a whole spacial situation, a juxtaposed spacial structure and the suspension of the flow of time, so as t