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屋子里唯一完全静止的东西是一张庞大的长沙发椅,上面有两个年轻的女人,活像浮在一个停泊在地面的大气球上。她们俩都身穿白衣,衣裙在风中飘荡,好像她们乘气球绕着房子飞了一圈刚被风吹回来似的。我准是站了好一会,倾听窗帘刮动的劈啪声和墙上一幅挂像嘎吱嘎吱的响声。忽然砰然一声,汤姆·布坎农关上了后面的落地窗,室内的余风才渐渐平息,窗帘、地毯和两位少妇也都慢慢地降落地面。 Synaesthesia ( different senses conflate with one another). Her voice make me forward completely, breathlessly as I listened, then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. Conflict and paradox: The party is crowed and yet empty, the night is beautiful but garish. The scene not only epitomizes the jazz age, it superficiality and tawdriness and its equally powerful sweetness and charm, but also represents one of the author’s major themes: the paradox of his fascination with wealth and glamour and his awareness of their underlying corruption and destructive power. The last paragraphs of this novel He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but thats no matter--tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning---- So we beat on, boats against the current, borne back ceaselessly into the past. 他千里迢迢的来到这片蓝色的草坪上,他的梦一定让他觉得近在咫尺,他几乎不可能抓不住的。他不知道那个梦已经落到他身后了,落在这个城市纳一望无垠的灰暗中,那里合众国黑油油的田野在黑夜中向前伸展开来。 盖兹比信奉那盏绿灯,它象征着那个一年年在我们面前渐消渐退的令人激动的未来。以前它从我们面前溜走,但是没关系,明天我们会跑得更快,我们的双臂会伸得更长,然后总会有一个美好的早晨。 所以我们要像逆流中的扁舟,虽然不断的被推回到过去,但仍要继续奋力向前 Why it is entitled by “ great” to the hero Gatby? A tragic hero in lavish, cruel and indifferent life; A dream-pursuit-man in hollow vanity fair; An allegory for America… He is loyal, true and Innocent Thanks Spokesman for Jazz Age Poet Laureate Francis S
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