《戏剧影视文学-》毕业学术论文.docVIP

论京剧艺术写意性的继承和发展 ——以京剧《大唐贵妃》为例 摘 要 京剧被世人称之为中国的“国粹”，是中国戏曲的五大剧种之一。京剧在吸收中国传统戏曲艺术的基础上，又广泛借鉴和吸收其他民族艺术形式的精华，形成了程式化、虚拟性、写意型的表演体系。其剧目流派数量之多，艺术家之众、行当之全，表演程式之规范，音乐结构之优美，演唱技术之精湛都堪称是中国戏曲发展的巅峰，以形传神、物我渗透，传递出生活的美和艺术的美，具有总体的写意性。京剧艺术对于中国戏曲艺术的写意精神有着具体、充分的体现。《大唐贵妃》原名《中国贵妃》，是以京剧大师梅兰芳的代表作《太真外传》的主要唱段为线索，融入《贵妃醉酒》和昆曲《长生殿》的有关唱段，编织情节，借鉴西方艺术形式，反响强烈，在新编京剧中具有非常典型的意义。 关键词：戏曲；京剧；写意性；《大唐贵妃》 Peking Opera and the Spirit of the Inheritance and Development ——The Opera Tang Concubines as an Example Abstract Beijing opera is world known as Chinas national essence , is one of operas five operas. Peking Opera in the absorption of traditional Chinese art, based on a wide range of other ethnic groups learn and absorb the essence of art forms, forming a stylized, virtual sex, freehand brushwork of the performance system. The sheer number of school plays, artists of the public, the whole line of business, performance program standards, the structure of the music beautiful, singing techniques are perhaps the most exquisite peak of the development of Chinese opera, to form vivid, were I penetrate, pass out of life Beauty and the beauty of art with Freehand overall, the Chinese Beijing Opera Opera Art and the Spirit has a specific, fully manifested. Tang Concubines formerly known as Royal China, Peking Opera master Mei Lanfangs masterpiece is Too true rumor, the main aria for clues into the Drunken Beauty and the opera Palace of Eternal Youth, the relevant aria, weaving plot , drawing on Western art forms, reacted strongly, in the New Beijing Opera has a very typical significance. Key words: Opera; Beijing opera; Freehand; Tang Concubines 目 录 TOC \o 1-2 \h \z \u HYPERLINK \l _Toc293903524 引 言 PAGEREF _Toc293903524 \h 1 HYPERLINK \l _Toc293903525 一、写意是京剧艺术的内在精神 PAGEREF _Toc293903525 \h 1 HYPERLINK \l _Toc293903527 二、京剧《大唐贵妃》的写意性分析 PAGEREF _Toc293903527 \h 4 HYPERLINK \l _Toc293903528 （一）现代化舞美灯光等创新使其写意性得到延展 PAGEREF _Toc293903528 \h 4 HYPERLINK \l _Toc293903530 （二）梅派唱腔成为其写意性的主要载体 6 HYPERLINK \l _Toc