二十世纪七十年代以来的好莱坞女性主义电影-艺术学；电影学专业论文.docxVIP

摘要 作为女性主义电影批评理论观照下而产生的好莱坞女性主义电影，从诞生之 日起就有着不同以往经典类型片的特质，其突出的成就体现在对女性人物的塑造 以及对女性生存现状的揭示两个方面。在人物形象塑造上打破了传统女性单一而 且虚假的符号形象，探讨了人物内心女性意识的觉醒与发展，以及追求自我价值 的实现。本论文分为四章，对好莱坞女性主义电影进行较为系统的梳理。第一章 交代好莱坞女性主义电影产生的社会背景及其发展阶段。第二章系统地探讨影片 的主题，从现实遭遇、自我价值的追求、姐妹情谊以及女性自我意识的发展四个 方面深入地展现了美国女性的生活境况。第三章着重分析好莱坞女性主义电影中 的女性人物。根据她们与身边男性关系的不同将其概括为独立于男性的职业女 性、远离男性的女性边缘人、以及依赖于男性但不堪忍受家庭压抑而选择走出家 庭的家庭主妇三种人物类型，全面而系统地展现了好莱坞女性主义电影中女性人 物在人物造型、个人思想方面与以往电影中女性人物的不同之处。最后一章指出 好莱坞女性主义电影表达的女性意识存在不足，有一定的幼稚性，产生不足的原 因是男性导演以及好莱坞的主流意识形态。论文全面研究了二十世纪七十年代以 来的好莱坞女性主义电影，分析了影片对社会产生的影响。 关键词：好莱坞女性主义电影，女性人物，女性意识，自我实现 Abstract Hollywood feminist movie which was in light of feminism had a different feature from other genre films from the birth date, it’s outstanding achievements embodied in the shape of the female characters as well as revealed the survival status of women. These films break up the traditional womens single and a false image, figure out the inner awakening of feminist consciousness and development, and their pursuit to implement self-worth. This thesis is divided into four parts, and describes the historic development of Hollywood feminist movie comprehensive. The preamble analyzes the social background and period of these films. Chapter two systematically explore the theme of the film from four areas: a realistic experience, the pursuit of self-worth, Sisterhood, as well as the development of self-consciousness of women which demonstrated the depth of the living conditions of women in the United States.Chapter three focuses on the Hollywood Feminist of the female characters in movies. According to their relations with different men, female characters are divided into three types: independent professional women, edge females stay away from the male, as well as housewives dependent on male figures. This divide makes a comprehensive and systematic display of Hollywood feminism in aspects of figure shape and individual’s idea which different from the past. The final chapter of this article pointed out the shortage of