当代版画创作中主体意识的研究-美术学专业论文.docx

四川美 四川美术学院硕士学位论文 中文摘要 万方数据 万方数据 关键词：版画创作,中国当代版画,传统版画,主体意识 II 四川美 四川美术学院硕士学位论文 英文摘要 Research on the Subjective consciousness of Chinese contemporary printmaking Abstract Ernst Hans Josef Gombrieh once said：”history of the deveiopment of the entire historyofdevelopmentoftheartsisnotatechnicalproficiency,buttheconceptsandrequirement s change history¨．Starting in the 1930 s, the engraving art of traditional Chinese print art injected fresh blood, thus opens up a contemporary Chinese print art aesthetics. In the process of historical development, Chinese print after recovery, development, boom, bumpy period and stable period, show the ontology language highlight in each period, the creation of the consciousness of subject consciousness, ideology, and the experiment of new media, both in form and content gradually revealed a new development. Engraving on more than one hundred years development of western modern art and contemporary art ideas and traditional Chinese print art fusion, especially under the influence of print art psychology in the west, Chinese traditional printmaking started in the transformation from the single form to multidimensional direction printmaking ontology awaken the print the regression of subject consciousness, they by breaking traditional aesthetic idea and the modelling of schema, using new materials, new media as well as the application of new engraving techniques, the expression of words to the pursuit of personality, started to dig in the creation of their own experience of deep spiritual and emotional interpretation of the personality, and embody the spirit of the unconscious level in the creation of pursuit, so that Chinese print display is multifarious, the connotation of the prints and context are historic transformation and breakthrough.. In terms of the structure of this thesis, this paper is divided into three parts. The first part is the analysis of the status quo of contemporary engraving art creation, this paper introd