当代中国写意人物画中的泛艳俗性现象研究-美术学专业论文.docx

Abstract： China freehand brushwork figure painting has a long history. Chinese painting is a carrier for scholars to express feelings and to edify sentiment. Since Ming and Qing dynasties, the development of economy has led to trade in painting and calligraphy in Jiangsu area. Economic and cultural development lead to the modernization of China freehand brushwork figure painting in evolution. The pan-gaudy phenomenon of Chinese freehand brushwork figure painting emerges from the process of evolution in modern. It used to be reference in oil painting, New Year [Spring Festival] pictures and engraving art of such techniques. Later, it made great breakthrough. Since the reform and opening up, rapid development of mass culture has made a great advance, especially in the 1990s. The commercial activity, such as advertising, Gourmet, Movies and Cartoon etc, occupied the life of people. Changes in the environment caused the change of the aesthetic tastes. Chinese freehand brushwork figure painting on the exploration with the development of mass culture, and constantly trying new ideas. Chinese painters in freehand era today, the Chinese artists choose from all kinds of ideas, thoughts and environment for theme. Realistically, abstract, and Chinese experimental water-ink painting are now method. Also some works with the pan-gaudy means. These works of art isn’t the vulgar art, but it looks like a rebellious teenager in the face of our traditional culture inking his thoughts and personality. Pan-gaudy phenomenon of Chinese Freehand brushwork figure painting with ordinary angle is concerned about the people. Pan-gaudy phenomenon is some kind of innovation. These works throw down the gauntlet to our traditional aesthetic expectation. The purpose of study of this kind of phenomenon is to find the reasonable factors and to give service to painting. The characters of Pan-gaudy phenomenon of Chinese Freehand brushwork figure painting are: First of all, It makes people feel relax.