歌剧《图兰朵》中柳儿人物形象的艺术魅力论析-音乐学专业论文.docxVIP

内容摘要 柳儿是普契尼在其未竟的天鹅之歌一-歌剧《图兰朵》中成功塑造 的歌剧形象，也是闻名世界的经典歌剧形象之)。本文立足于柳儿咏叹谓的音乐 因素和柳儿人物的戏剧因素，结合谱例，从崇高和悲剧性两个方面具体 论析了柳儿人物形象的审美价值和艺术魅力。基本思路是 z 在歌剧本性论及歌剧 美学的理论指导下，从歌剧人物高度上分析的角度论折作曲家如何以剧中人 物为出发点，采用种种艺术手段在过程中展开和完成对歌剧形象的塑造，从而使 歌剧人物上升为生动、鲜明、感人歌剧形象，进而赋予歌剧作品长久的艺术价 值和魅力。在理论现实意义上，本文从柳儿咏叹调的音乐因素、人物形象的戏剧 特征和审美价值，以及作曲家-度创作心理等方面进行的综合分析，有利于丰富 发展我国传统的歌剧理论，有利于进一步深刻地挖掘该歌剧作品的艺术内涵和价 值，同时有助于演唱者从更深层次上塑造柳儿歌剧形象和对柳儿咏叹调进行二度 创作。 本文在写作安排上遵循作品一一人物一一作品和创作、表演、欣赏 两条逻辑线索，全文主要分为四大部分，第一章主要交待《图》剧的创作背景和 心理;第二章主要从音乐和戏剧两因素分析作曲家如何对柳儿人物形象进行塑 造，和歌唱表演者如何进行二度创作:第三章，主要从美学角度分析柳儿形象的 崇高和悲剧性审美价值:第四章，从整体上分析柳儿形象的艺术魅力， 和她对图剧乃至普契尼歌剧整体的艺术价值。 关键词z 歌剧《图兰朵》 柳儿 歌剧形象 审美价值 Abstract Liu is not on1.ll a successfully portrayed figure in Puccinis unfinished opera songs o[ swìne Turandot but aIso one of the world-renowned classicaI operatic figures. On the basis of musicaI and operatic elernents of Liu aria，and by combining wìth the mus?c scores， this thesis full.ll discusses the aesthetic value and artistic captivation of this famous figure from the aspects of Ioftiness and tragedy. The main lin巳 is : with the guidanc巳 of theori巳s of operatic nature and operatic aesthetics，and from the IeveI of operatic figures，this thesis analyz巳 how the composer took the figures in the opera as his starting point to portray the operatic images by using various artistic measures，and thus to promote the figures to som巳 vivid ，clear and moving figures，and thus institIed the opera with ever-Iasting artistic value and charm. 币le 、theoretical and practical significanc巳 of such analytical approach and tentativ巳 study are as foIIows. First，it d巳monstrates specifically th巳 、 theory that the main task of Iiterary and artistic creation is to establish images气 which to some degree enriches china traditional operatic th巳ory. S巳cond，by the compreh巳nsive analysis of th巳 musical el巳ments of Liu aria，the operatic featur巳 and aesthetic value of Liu as welI as the composers psychology and style，this thesis 巳laborates the deep connotation and charm