禁忌与迷恋之间——“敌我西恋”题材电影研究.docx

Abs仃actTaking Abs仃act Taking films t11emed by love between the enemy and ourselves as the objects of study and two types of film-war film and love film as the background of study,this paper is aimed at analyzing the embodiment of the peculiar charm of love in films themed by love between the enemy and ourselves from four aspects such as the types of love，the connotations of love， the traits of love and image expression． The paper is composed of four chapters． Based on the characters’political identity,Chapter 1 divides“love between the enemy and ourselves”caused by war environment and class difference in the film into“love between the enemy and ourselves with opposite ideology”and“love between the enemy and ourselves from opposite country”．Furthermore，the complicated relationship between characters in each type of love is summarized briefly． Chapter 2 is focused on analyzing the different ways in which films themed by love between the enemy and ourselves elaborate love in different regions at different periods． Based on the diverse embodiments of individual love at a spiritual level，it divides the connotation of love into three types，namely，the attraction of cultural art，the awakening of individual consciousness and the stigma of body memo巧．In the meantime，it points out that war environment endows these loves with heavy sense of history and profound introspection on human nature． Chapter 3 analyzes the traits of love in films themed by love between the enemy and ourselves by taking ordinary love films as the objects of comparison．On this basis，it summarizes the regular characteristics of love in the diachronic process covering the starting， development and ending，including the haziness，repressiveness and tragic nature of love． Chapter 4 analyzes the unique way in which films themed by love between the enemy and ourselves embody love from the perspective of filming technology．First，in terms of image expression，films themed by love between the enemy and ourselv