侯芝弹词研究-中国古代文学专业论文.docxVIP

中又捅要清代女性的弹词小说创作，虽未如女性在诗、词、曲创作方面获得众多的关 中又捅要 清代女性的弹词小说创作，虽未如女性在诗、词、曲创作方面获得众多的关 注和肯定。但在女性文学创作方面，此种文体的创作实有特殊的价值。相较与其 他利用闲暇时间创作，或将弹词作为消遣之用，终其一生，仅完成一部作品的弹 词女作家，侯芝为《玉钥l缘》、《再生缘》作序，编订《锦上花》，大幅改写《再 生缘》成《金闺杰》，接续《金闺杰》创作《再造天》，与之相关的弹词小说至少 有五部之多。而其创作动机，亦由最初的消磨病中岁月转为自觉的为出版目的而 进行的创作，这使得侯芝在弹词女作家中具有了特殊性。侯芝出身儒门仕宦之家， 从小受过正统教育，能诗文。但直到中年之后才开始与当时的闺秀圈子交往，其 创作重心亦由诗文写作转向弹词编写，并将弹词这一文类作为自己的文学事业。 这个转变背后的动机是复杂的。侯芝在实际创作中提出了自己的弹词理论，用正 统观念来改造现行弹词，反映了提升弹词文体地位的意图。其中对传统妇德观的 提倡与实际创作情形的对照，体现了女性创作心理在正统观念下的曲折反映。侯 芝为提升弹词地位所做的努力与其实际效果的反差，反映了侯芝以J下统意识改造 弹词文体，而忽视弹词的文体特性所存在的误区。 关键词：弹词小说；侯芝；创作动机；文学事业；弹词理论 Abstracts0ing Abstracts 0ing Dynasty women Tanci—Fiction．not as women in the poems，words， mus i c creat i on and access to the concern of many aff i rmed．But i n the femaIe I iterary creation，the creation of such a styIe is a speciaI vaIue． Compared with other Iei sure time to create，or Tanci whi Ies away the time． and her onIY compIetion of a work Tanci writer，Houzhi”Yu-chuan fate”． ”Za i Sheng Yuan”as a sequence。for the Kam spend substant i a I rewr i te” Zai Sheng Yuan”to the”goIden Gu．一j ie，”continued the”goIden Gu．一j ie” creation”recycI ing days．”associated Tanci noveIs at Ieast as many as five． ‘Thei r creativity and motivation．it is aIso the fi rst in years to weaken consciOUS of the purpose for the pubI ication of the creation．which makes Houzhi in Tanci a writer in a speciaI．Houzhi origin of the officiaI fami IY。 who have received formaI education．and poems．It was not unti I after the middIe-aged and then started Guixiu ci rcIe of contacts．from poems to thei r creativity Tanci preparation，and Tanci text of this category as thei own I iterature，the mot i ve behi nd th i s change i s compI i cated．Houzh i in the actuaI treation Tanci put forward thei r own theories．with the orthodox concept to transform the existing Tanci，refIecting the styIe status upgrade Tanci intent．One of the traditionaI feminiRe Vi rtue and to promote the concept of the actua I c i rcumstances of creat i ve cont I， refIe