电视艺术影像思维论-影视文学专业论文.pdf.docxVIP

摘 摘 要 本论文将从思维的基本规律入手，结合格式塔心理学、结构主义语言学和广 义蒙太奇理论，在深入挖掘电视艺术影像与电视本性关系的基础之上，研究电视 艺术影像思维的特点、规律。 本论文将在以下层次上展开：第一章建立电视艺术影像思维三种二元体系， 从电视本体的角度明确电视艺术影像思维的地位；第二章分析电视艺术影像思维 的各个元素；第三章在语言学基础上重新建构电视艺术影像思维；第四章综合阐 述电视艺术影像思维的特点；第五章将分析我国电视艺术影像思维与创作的问题 和应该具有的文化品质。 本论文的最终结论是，电视艺术影像思维是一种双主体双客体的思维模式， 这种思维模式要求电视艺术影像的创作主体必须凭借清晰的结构和严密的组织 来实现向接受主体传播信息、表情达意的目的。因此，电视艺术影像思维应该是 建立在形象和抽象、感性和理性、艺术和科学、审美与实践之上的“电视蒙太奇 思维，它不仅具有广义蒙太奇思维的一切特征，而且观众可以任意组合出即具 有文化共性又具有个性化的“个人电视影像。 只有同时激发电视工作者的自我意识和为接受主体的服务意识，电视艺术才 能有效引领接受主体向健康的文化发展，这也便是本论文写作的初衷。 【关键词】电视艺术影像思维 AbstractThis Abstract This dissertation proceeds with the rules of thought，contacts with Gestalt psychology,structuralism linguistics and generalized montage theory,on the basis of exploring the relations between television arts image and the television noumenon thoroughly,researches characteristics，rules and methods of television arts image thought． This dissertation will expound in the following levels：Chapter One establishes three kinds of dual systems on television arts image thought and clears about the status of the television arts image thought from the television noumenon；Chapter Two analyzes television arts image elements；Chapter Three seeks afresh a construction of the television arts image thought on the basis of linguistics；Chapter Four makes an integrated exposition on characteristics of television arts image thought；Chapter Five analyzes the television arts image thought and creation in China and the cultural quality which is supposed to have， The final conclusion of this dissertation is，the television arts image thought is one kind of thought pattern with dual subjects and dual objects，this kind of thought pattern requests the creators of the television arts image to have to rely on the dear structure and the strict organization to realize the goal of communicating information and expressing the ideas to audience．Therefore，the television arts image thought should be the television montage thought，establishment in the image and abstract，not