林黛玉诗词两译本的比较研究—呢—移情视角.docx

及其发展进行了说明，并指出了中西移情的差异。第二章介绍移情在汉诗英译中的应用。指出了诗歌翻译的困难， 及其发展进行了说明，并指出了中西移情的差异。 第二章介绍移情在汉诗英译中的应用。指出了诗歌翻译的困难， 诗歌翻译中存在的一些争议，以及把移情用于指导汉诗英译的理论和 实践基础。 第三章主要是从移情角度比较林黛玉诗词的两个译本。先从译者 主体性的发挥来说明如何准确地移情，’再通过在音、形、意三方面的 移情比较来看杨、霍两译本在诗歌翻译过程中的移情努力。 第四章阐述了由这种比较研究所获得的启发。 结论部分对全文作了回顾和总结。再次强调情感是诗歌的灵魂。 诗歌翻译中原诗情感的传递极其重要。要准确地传递这种情感，需要 译者积极充分地发挥其主体性，达到与原作者的情感共鸣。并且指出 音、形、意是诗歌表现情感的重要方式。音美、形美、意美在诗歌翻 译中的传达也关系到译者移情的效果。相比之下，在诗歌翻译中，作 为母语读者的杨宪益，更加注重诗歌意美和形美的表现，而霍克斯则 偏重诗歌音乐性的传达。他们分别在不同的方面实现了与原作的移 情，完成了各具特色的诗歌译作。 关键词：移情说，诗歌翻译，《红楼梦》，意象，“三美” AbstractHongloumeng Abstract Hongloumeng is a condensation of traditional Chinese culture， embodying diversiform genres like narrative，amoebean and poetical style， among which the poetical style is affluent in different types as well，such as regulated poems，lyric meters，dramatic lyrics，rhyme prose， antithetical couplets，songs and eulogies．These poems are indispensable as an organic component of the whole novel．However,it is really regretful that the poetry in it is sometimes neglected in translations．Such a situation of ignoring poetry translation in Hongloumeng has not been changed until 1 970s，the time when two complete English versions translated by the British sinologist David Hawkes and his son··in--law John Minf．ord，and Yang Xianyi and his wife Gladys Yang respectively were published，in which poetry translation has been well dear with． Nowadays the study on poetry translation in Hongloumeng is becoming more and more popular along wi也the appearance of the two translations，whereas the individual study on Lin Daiyu’S poetry is rarely found．It is believed that Lin Daiyu has indited the largest number of poems among all the characters，which has not only characterized her personality,but also adumbrated her miserable fate and tragic ending． These poems are closely related with the plot development of the novel， appearing SO frequently in the whole novel． This This thesis will choose some of the poems composed by Lin Daiyu， doing a comparative study between Yang’S and H