净土·君子·女人——中国古代莲花图像-美术学专业论文.docx

PURE LAND GENTLEMAN WOMAN A Study on the Lotus Image in Ancient China Major: Fine Arts Science Field: History ofFine A此s in China Tutor: Professor HUANG Zong-xian Author: YUAN Cheng-zhi ? Abstract ? 『 The 10ωs image is 也e first plant dωorative pat阳:m and is also the most active one in the history of Chinese omaments. 刀山 is the 负rst academic thesis to systematically study 也e lotus 凶tage in ancient China. Based on 恼。verallliterature，也study is unfolded inωfive dimentions origin development， form， lconography，Iconology，and ∞n伽luity in the sty1e of 也e lotus image by ωmbining L∞nology，Stylistics， Culturalistics，Sociology，and formalistic analysis in the 阳dy of westem fine arts 隘sωry with traditional textual research and literature science. At 也e same 也ne，the lotus image is illustrated res阴暗，tively in four spaces-一-Buddhism art， design art，pure art and folk 缸1， which ∞nstitute Chinese art. In addition，each part of 也e 也esis is written by means of integrating diachronic study into synchronic study. This dissertation ∞，nsists of six chapters. Chapter one investi伊tes 也，e starting point of the lotus image in the history of Chinese omaments，也8t is， a definition of itsωcumIedme. Fur也ermore，也is part has discussed the relationships between the vogue of lotus and Buddhism. Chapter two demons位现，es from many perspectives the condition in dis创bution， ∞也e chmztedstic intbmmddmcMSngpmGessofkloMMasehchssmdentM. Chapter 也ree seeks to intC1pret 也，e 1 Inography ofthe lotus image re:ψectively in Buddhism ∞ 、萨 剧， literati art，and folk art，也就 is，也symbol and theme of 勘 lotus image 也 differCI1t art categories. Chapter four probes inωthe relationships between the cha且gng pmessofthe ·、 lotus image in form andωcial politics，ωonomy，culture and philosophy in different ages. The last chapter a出mpts to explore theω且由，uity of the lotus image in style，that is，to discuss the inherent relationships in style between post-Iotus plant decorative pat优rns and the first one in the history of Ch