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The Light from Beyond
Clark Ashton Smith
It will be said, by nearly all who peruse this narrative, that I must have been mad from the beginning; that even the first of the phenomena related herein as a sensory hallucination betokening some grave disorder. It is possible that I am mad now, at those times when the gulfwardsliding tide of memory sweeps me away; those times when I am lost anew in the tracts of dreadful light and unknown entity that were opened before me by the last phase of my experience. But I was sane at the outset, and I am still sane enough to write down a sober and lucid account of all that occurred.
My solitary habit of life, as well as my reputation for eccentricity and extravagance, will no doubt be urged against me by many, to support the theory of mental unsoundness. Those who are unconventional enough to credit me with rationality will smile at my story and deem that I have forsaken the province of bizarre pictorial
art (in which I have achieved a certain eminence) to invade that of superscientific fiction.
However, if I wished, I could bring forward much corroborative evidence of the strange visitations. Some of the phenomena were remarked by other people in the locality; though I did not know this at the time, owing to my thorough isolation. One or two brief and obscure notices, giving a somewhat commonplace meteoric explanation, appeared shortly afterwards in metropolitan journals, and were reprinted even more briefly and obscurely in scientific gazettes. I shall not quote them here, since to do so would involve a repetition of details which, in themselves, are more or less doubtful and inconclusive.
I am Dorian Wiermoth. My series of illustrative paintings, based on the poems of Poe, will perhaps be familiar to some of my readers.
For a number of reasons, some of which it is needless to mention, I had decided to spend a whole year in the high Sierras. On the shore of a tiny sapphire tarn, in a valley sheltered by hemlocks and granite
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