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II.
THE MUSIC OF THE AINUR.
In another notebook identical to that in which The Cottage of
Lost Play was written out by my mother, there is a text in ink
in my fathers hand (and all the other texts of the Lost Tales
are in his hand, save for a fair copy of The Fall of Gondolin*)
entitled: Link between Cottage of Lost Play and (Tale 2) Music
of Ainur. This follows on directly from Vaires lastwords to
Eriol on p. 10, and in turn links on directly to The Music of
the Ainur (in a third notebook identical to the other two). The
only indication of date for the Link and the Music (which
were, I think, written at the same time) is a letter of my
fathers of July 1964 (Letters p. 345), in which he said that
while in Oxford employed on the staff of the then still incom-
plete great Dictionary he wrote a cosmogonical myth, The
Music of the Ainur . He took up the post on the Oxford
Dictionary in November 1918 and relinquished it in the spring
of 1920 (Biography pp. 99, 102). If his recollection was cor-
rect, and them is no evidence to set against it, some two years
or more elapsed between The Cottage of Lost Play and The
Music of the Ainur.
The Link between the two exists in only one version, for
the text in ink was written over a draft in pencil that was
wholly erased. In this case I follow the Link with a brief com-
mentary, before giving The Music of the Ainur.
But, said Eriol, still are there many things that remain
* The actual title of this tale is Tuor and the Exiles of Gondolin, but
my father referred to it as The Fall of Gondolin and I do likewise.
40
dark to me. Indeed I would fain know who be these Valar;
are they the Gods?
So be they, said Lindo, though concerning them Men
tell many strange and garbled tales that are far from the truth,
and many strange names they call them that you will not hear
here, but Vaire said: Nay then, Lindo, be not drawn into
more tale-telling tonight, for the hour of rest is at hand, and
for all his eagerness our guest is way-worn. Send n
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