简经纶甲骨文印研究-美术学专业论文.docx

中国美术学院一一中国画与书法艺术学院一一书法系～一冯立一一简经纶甲骨文印研究 中国美术学院一一中国画与书法艺术学院一一书法系～一冯立一一简经纶甲骨文印研究 AB STRACT During the Republic of China，Jian Jinglun is the one of few artists who introduced oracle i’nto seal cutting．His oracle seals make great achievements at that time．Even now, his artistic works has much positive references to our artistic creation．This paper do a specially research which is direct to his oracle seals．First do investigate the spring up of oracle research．Second do investigate of leading oracle into calligraphy．Then do investigate of leading oracle into seal cutting。After that，this paper do particular researches to the artistic styles of Jian’S oracle seal cutting．Combine with writer’S practice experiences，this paper do profound analysis in the matter of calligraphy method，cutting method，orderly ways．By compare the Jian’S works with other artists at that time，this paper summarize the achievements of Jian’S oracle seal cutting．In the end，by discussing the Jian Jinglun who had been affected by Yi Dachang，his concept of calligraphy and seal cutting considering his learning experiences and his achievements in ancient characters，this paper explain the origin his artistic style of oracle seal S KEY WORDS：Jian Jinglun，oracle seal，the period of the Republic of China，style 2 万方数据 中国美术学院一一中国画与书法艺术学院一一书法系一一冯立一一简经纶甲骨文印研究引论 中国美术学院一一中国画与书法艺术学院一一书法系一一冯立一一简经纶甲骨文印研究 引论 自1899年甲骨文在安阳殷墟被发现，之后的几十年中，一门新兴的显学一一 “甲骨学’’蔚然兴起，甲骨文相关研究和著作亦相继面世。正如吴昌绶在《铁云 藏龟序》中说： 铁云先生获古龟甲刻文逾五千片 昔之称古文字者，彝鼎之外，泉币玺印 而已 乃兹龟甲骨文，又别辟一蹊径。1 随后，以甲骨文为载体的艺术创作也迅速随之展开。董作宾在《甲骨文书法》 一文中说： 甲骨文在20世纪初叶曾为中国历史文化学术放了一个异彩 同时，它的一 条光线支流，表现于书法美术。2 随着甲骨文研究的相关著作出版发行，1921年罗振玉率先在数量相对有限的 甲骨文字中开始集联和书法创作，而后则有丁辅之《商I-文集联附诗》(1928年出 版)、戴异《集殷墟百联一卷》(1935年出版)、简经纶《甲骨集古诗联》(1937出 版)等著作的出版发行都为甲骨文书法创作创造出一个宽阔的平台。黄宾虹曾对 丁辅之甲骨文入书如是描述： 丁君辅之摩挲金石，吟咏篇章，集殷商贞l、之文，继周鲁颂声之作，诵习馀 暇，辑为楹语尝数百联，意尚明通，词无骞涩，秉经酌雅，既典丽而焉皇妃，白 俪红亦文心之绮靡，岂仅临池引兴、笑博笼鹅。行将围堵争观，夸传驻马。3 可见彼时众人对甲骨文书法这一新形式的兴趣，而将甲骨文引入篆刻创作当 然也是前所未有的，作为一种全新的篆刻面貌，罗振玉、易大厂、王雪民、邓尔 雅、杨仲子、杨浣石、简经纶等人在此方面均有所尝试，这其中又以简经纶最具 代表。 简经纶(1888．12．1—1