金农“漆书”之研究-中医临床基础专业论文.docxVIP

I万方数据 I 万方数据 摘要 自清代中期开始，社会相对稳定，经济逐步复苏，一些交通发达的城市呈现出一派经 济文化繁盛的景象。“扬州八怪”活跃在扬州的时期，正是扬州富甲天下的黄金时代。乾 隆年间，“扬州八怪”的书画风靡大江南北，而居于“扬州八怪”之首的金农，少小聪敏 过人，自幼学诗，中年之前均以诗人自居，其诗词曾得到过许多诗坛泰斗的赞赏。后因家 道中落，郁郁寡欢，无可奈何走上了恃才游历的生活道路。游历的生活给他的艺术观带来 了巨大的冲击，促使他成就了自己独特的艺术风格。正是由于这种独特的经历，造就了金 农这位在扬州八怪中与郑變齐领风骚的诗、书、画、印四艺均工的大家，在中国书史上占 有无比重要的一席。然而，最终为这位清代诗坛的领袖人物在艺术史上留下浓墨重彩一笔 的，正是被他小视的书画创作。 金农是清代书坛上一位耐人寻味的艺术家，其人生际遇、对艺术的追求以及在学术上 多方面的成就，构成了一个异常深广而又复杂的感知世界。研究金农可以说是对整个时代 的文化的考察和分析。在帖学盛行的清初书坛，金农率先高举了碑学大旗，公然挑起反叛 正统文人书风的旗帜，大胆探索，走出了“以拙求妍”的新路子。其书法风格高蹈怪异， 由他独创的“漆书”，被世人趣称为丑书，形成了一套以丑为妍，以拙为巧，以偏锋取胜， 以不师古为能的独特的书法价值观。因而对此后书坛上的碑帖融合书风开创了先河，对后 世有着不可估量的影响。 本文从金农的生平经历、“漆书”的形成背景、形成原因、以“漆书”窥探金农书法 艺术特色、以及“漆书”在书史上的地位与影响五大方面，对金农所创“漆书”进行了深 入地挖掘和详尽地阐述。 在论文的写作过程中，我感到最难以处理的还是资料的匮乏，目前对于金农的研究尚 没有引起学术界的足够重视，虽有研究金农的文章，但数量极少，多是出自于对“扬州八 怪”的研究，即便是出现了研究其本人的专题，也大多指向其在诗歌、绘画上的成就。而 研究其书法的文章几乎没有，有也止于泛泛介绍，没有深入的研究，涉及面相对较窄，对 于论文的写作完成，存有一定的局限性。本文就金农的书法，尤其隶书作一些探索分析， 对于其在诗、画、印上的造诣则不多加赘述。笔者不揣浅陋，本文不足之处，还望专家、 学者指正。 关键词 清初书坛 扬州八怪 金农 漆书 II万方数据 II 万方数据 Abstract Since the mid-Qing Dynasty, political situation was relatively stable which brought economic recovery. Some cities with convenient transportation presented a prosperous sight in economy and culture. The time when Yangzhou Eight Eccentrics were popular was the golden age for Yangzhou city. The calligraphy and painting of Yangzhou Eight Eccentrics were fashionable in China during the Qianlong period. Jinnong who was listed on top of Yangzhou Eight Eccentrics was ingenious from childhood. He studied poems on his own, and considered himself to be a poet before middle age. At that time, his poems were appreciated by many masters of poetry circles. After his family was in straitened circumstances, he felt depressed and had to choose the life style of traveling around with such great talent. The traveling life had a great influence on his view of art, which helped to bring about his own special style of art. It was this experience that made him as popular as master Zhengxie who was good at poetry, calligraphy, pai