解读三木稔之《狂想曲》-音乐专业论文.docxVIP

万方数据 万方数据 Abstract Zheng,since the Tang Dynasty was introduced into Japan.after the years,carving and exotic culture of baptism,showing a distinct and Chinese zither win support among the people of gentle temperament,Japanese Koto music is more than a bit of pride and deep. Japanese Koto circles in the late sixtys and early seventys there was a significant change——Twenty-One string shin- Koto birth.This change in the beginning of this century also affected the Chinese zither circles.This change of Representatives is world-renowned Japanese composer Miki Minoru.Miki Minoru created a large number of works for the Japanese new kite.In the beginning of this century,professional institutions Zheng professional teachers and students began experimenting with China twenty-one string zither plating Japanese shin-Koto works. This paper choose Miki Minoru one of representative works of Guzheng music 《Rhapsody》 analysis, and how they performed in the practice of the technique and the Japanese Koto music performance studies. Key word Miki Minoru, Rhapsody, Analysis of the works, Playing technique ３ 目录 HYPERLINK \l _bookmark0 绪 论······························· 5 HYPERLINK \l _bookmark1 第一章《狂想曲》的创作解析 ···················· 6 HYPERLINK \l _bookmark2 第一节 作曲家三木稔简介 ···················· 6 HYPERLINK \l _bookmark3 第二节《狂想曲》的创作背景及乐曲内涵 ············· 6 HYPERLINK \l _bookmark4 第二章《狂想曲》的音乐解析 ···················· 7 HYPERLINK \l _bookmark5 第一节 作品调式及定弦法 ···················· 7 HYPERLINK \l _bookmark6 第二节 音乐分析 ························ 7 HYPERLINK \l _bookmark7 第三节 演奏分析 ························ 19 HYPERLINK \l _bookmark8 结语 ······························· 21 HYPERLINK \l _bookmark9 参考文献 ····························· 22 HYPERLINK \l _bookmark10 致谢 ······························· 24 ４ 绪 论 一、选题意义 中国政治经济改革开放后，国门打开，对外文化艺术交流日益频繁。上世纪 八十年代中日筝乐交流之后，日本新筝作品在中国专业音乐院校广泛传播，音乐 学院古筝专业的师生们开始尝试用中国的二十一弦筝演奏日本的新筝作品，并引 起了国内筝界的强烈反响，这对中国二十一弦筝的调音定调以及演奏技法的发展 起到了深刻的影响。三木稔作为日本当代著名的筝乐作曲家之一，一生致力于所 有日本民族乐器的作曲。《狂想曲》作为三木稔的