服装艺术巴洛克风格外文文献.pdf

ANNALS OF THE UNIVERSITY OF ORADEA FASCICLE OF TEXTILES, LEATHERWORK HIGHLIGHTS OF THE REPRESENTATION COSTUME IN PICTORIAL ART - BAROQUE STYLE - URDEA Olimpia University of Oradea, Romania, Department Visual Arts, Faculty of Arts, Universitatii str. 1, 410087 Oradea, Romania, E-mail: oli.urdea@ Corresponding author: Urdea, Olimpia, E-mail: oli.urdea@ Abstract: Throughout the social history of human civilization and art history, the human body was and still is a challenging field to explore in various representations, a material for various manners of cultural interventions. The way of artistically representing the body, the clothed body, has followed the path of various artistic movements that marked art history. In the act of interpersonal perception, the costume establishes itself as a particular field of non-verbal communication, one based on image. The present paper refers to the costume, as a particular vector of non-verbal communication in social space, as it was depicted and perceived in the painting of the 17 th century and early 18th century, a time marked by the Baroque style. From this point of view, garment received the value of an intermediary in the communication between bodily space and the social one. In Baroque formal portrait, the garment completes by scale and the rendering technique of the texture and chromatics emphasizes the position of the pictorially represented person. Thus, the garment interferes with the gesture and mimics as forms of interpersonal knowledge. The transmitter – the clothed character represented through the eyes o