观与被观--荒木经惟个案研究-戏剧与影视学专业论文.docxVIP

四川美 四川美术学院硕士学位论文 中文摘要 I I 摘 要 这篇论文从荒木经惟的个人经验和文化语境来理解认识荒木，分别主要借用 了佛教的生死观、日本文化精髓的物哀观、心理学的投射现象来探讨了荒木与其 摄影作品的关联与成因，强调了这种关联的对于形成其摄影思维与创作主旨重要 性。在此基础上，笔者研究建立了全新的荒木经惟摄影艺术的基本结构图，直观 简明地呈现出荒木摄影的概貌，突破了以往对情色议题的讨论，找到了新的研究 荒木的立足点。佛教的生死观和日本物哀观是研究荒木摄影艺术无法绕开的事实， 而心理学的投射现象证明了荒木的摄影是无法模仿的。文章还通过对私摄影的追 根溯源为正确认识私摄影提供了有力的参考。即现代主义文学与新现实主义电影 是研究私摄影无法回避的事实。目前国内一些摄影艺术家与大量的摄影爱好者对 私摄影存在误解，认为私摄影仅仅就是关注自身周遭，表达自我。这是片面的认 识。荒木通过与所处时代发生关系的私摄影来证明了这点：私摄影不是现代主义 时期的媒材，而是一种能够与时代、社会发生关系的一种摄影表达媒介。 荒木一直在用摄影这种媒介来处理自身与现实世界的关系，同时，摄影也是 荒木对所处现实世界的认识和感悟。 关键词：荒木经惟、私摄影、佛教生死观、物哀、心理投射 四川美 四川美术学院硕士学位论文 英文摘要 I II ABSTRACT This paper from Arakis personal experience and understanding of cultural context to understand Araki were mainly borrowed Buddhist view of life and death, grief was the essence of Japanese culture concept to explore the psychological phenomenon of projection and its association Araki photography and the causes of this association emphasizes the photography for the formation of its thinking and creative spirit of importance. On this basis, I study the establishment of a new basic block diagram of Nobuyoshi Araki art of photography, visual concisely presents an overview of Araki photography, breaking the previous discussion of the erotic subject, we found a new study Araki foothold. Buddhist conception of death and sorrow concept Japan was studying the art of photography Araki can not bypass the fact that while the psychological phenomenon of projection proves Arakis photography is unable to imitate. The article also by private photography traced provide a strong reference for the correct understanding of private photography. That modernist literature and neo-realism film is the study of private photography inescapable fact. At present, a number of photographic artists and a lot of photographers to the presence of private photography misconception that private photography is only concerned about their own surroundings, to express themselves. This is a one-sided understanding. Araki Photography occur through