贵州苗族蜡画纹饰在现代产品设计中的运用-设计学专业论文.docxVIP

重庆大学 重庆大学硕士学位论文 英文摘要 II II ABSTRACT Guizhou Miao batik culture has a long history, is the famous hometown of batik, is Chinas first batch of non material cultural heritage, its history dates back to 3000 years ago in Qin and Han dynasties, it is and the traditional culture and folk art as one of the mountains. Guizhou Miao wax painting source in wax printing craft, as a kind of traditional arts and crafts varieties, cognitive and loved by people gradually. Miao folk artists in the process of drawing wax, beautiful pattern has now beginning form the process of wax painting arises at the historic moment. First through to the Guizhou Miao, wax and wax painting carding the history of sex research, explore the origin of the Miao nationality wax paintings, historical basis for follow-up study. Then expounds Guizhou Miao wax painting decorative features and totem worship, and then analyzes their grain shape and the connotation of the totem, has a high cultural and artistic value, and puts forward to apply such totem decorative design in a utensil with national characteristics in modern product design presents how to make modern product design effect. Second use of classification and induction, dam cascade comparison method, discusses the Guizhou Miao wax painting decorative in household design, clothing design and the application of arts and crafts design, people are analyzed on the wax painting decorative aesthetic changes, research the combination of traditional and modern collision theory, produce more in line with the modern aesthetic demand of innovative products, and let the national spirit infiltrated the aesthetic consciousness of people. And then summed up the modern transformation of Guizhou wax painting decorative design in product design and its application advantages, Focused on the Miao wax painting decorative pattern using the modern design methods to convert the graphics, color conversion and stereo conversion and material transformation; In Guizhou Miao en