嵇康美学思想分析-音乐美学专业论文.docxVIP

II II 关于音乐与情感的关系，嵇康有着互相矛盾的观点，一方面，他认为音乐 是用来表达人的思想感情的，即所谓的“假物以托心”或借乐声以“发泄幽情”； 另一方面，他在《声无哀乐论》中却又竭力否定音乐与人的感情有关。“声音有 自然之和，而无系于人情”，“声音自当以善恶为主，则无关哀乐。哀乐自当于 情感，则无系于声音”。嵇康认为音乐有自己的自然之和，音乐组合有自己的规 则，与人的情感没有关系。在《声无哀乐论》的结尾，嵇康又论述了音乐的社 会功能，即音乐的美育功能。他认为，音乐的美育功能表现在两个方面，一是 移风易俗的教化功能，一是调和情志，悦心养性的娱乐功能。 关于嵇康的文学美学思想，专门的论述不是很多，评价也不是很高。但本 文认为，在他的文学作品中，仍然可以看到嵇康的美学思想。其中所表现出来 的美学思想，是嵇康美学思想的重要组成部分。本文主要从论辩文和诗歌方面 来阐述他的文学美学思想，认为嵇康的文学作品表现出以下美学风格：一 、强 烈的自我主体意识 ，二、 崇尚自然的审美情趣，三、 富于思辩的思维方式。 第三章，总结嵇康美学思想的历史意义及其影响。嵇康的以玄学为哲学基 石，兼容儒道思想于一身，所生发出的追求“自然之和”的美学思想，是对中 国传统美学思想的继承和创新，并对后世的中国美学思想产生着深远的影响。 关键词： 嵇康 生命美学 音乐美学 文学美学 自然之和 III III Abstract The Wei Jin time is in the Chinese history a very special time, although politics is extremely chaotic, but esthetics achievement is very actually magnificent. Ji Kangs esthetics thought is precisely this time esthetics thought representative. His esthetics thought and the time atmosphere, the social ideological trend, the aesthetic theory then made are related. This article mainly under the Wei Jin metaphysics this big historical perspective, from the life spirit, music thought and the literature style three aspects discusses Ji Kangs esthetics thought that thought that Ji Kangs esthetics thoughts master line is about the universe which and the life main body the Wei Jin metaphysics pursue “sum of the nature”, is metaphysics esthetics thought which one kind of compatible Confucian said. The full text structure divides into three chapters: The first chapter, introduces the Ji Kang esthetics thought production the time background. As a result of the Chinese end society crisiss deepening and the Chinese dynastys final disintegration, is at the dominant position as the Han Dynasty the study thought also day after day to deteriorate, the etiquette Confucian code also therefore relaxes, the metaphysics emerge along with it. Was greatly abundant along with the metaphysics, promoted the Wei Jin person thought active and the liberation, the Wei Jin gentleman persons esthetic purs