玻璃的延伸郑闻卿女士作品之独特性Extending.pdfVIP

玻璃的延伸：郑闻卿女士作品之独特性 Extending Glass: The unique work of Zheng Wenqing 郑闻卿女士属于充满活力的新一代中国艺术家群体，他们将玻璃视为一种极具表现力的创作素材。以她为 代表的一批玻璃艺术家善于将玻璃作为艺术表达的介质。因此我们不难从她的作品中发现，玻璃这种材质 被延伸到了雕塑和装置艺术领域，超越了传统的艺术联想。她在进行玻璃创作时，积极探索丰富的表现手 法及形式，在这一全新领域制造出深刻回响，将玻璃作品变成了动力学声景装置。她对物质属性不懈探寻， 将玻璃的独特之美作为创作的表达元素；她的作品层层分明、繁复细腻，细观却会发现脱胎于最为简单的 道理。她所探寻的是概念而非形式，玻璃成了她表达观点的画布。而这也正是她进行玻璃雕塑创作最鲜明 的特征之一。 Ms Wenqing is part of a dynamic new generation of Chinese artists who are exploring glass as an expressive material. She is part of a critical group of artists who engage with glass as a medium for creative expression. Within this context, her work extends glass within the space of sculpture and installation, allowing us to see glass as a material outside of its traditional associations. Her works make profound statements in this new space as she explores glass in a range of modes and formats, moving from objects through to kinetic soundscape installations. Her practice is predicated on an enquiry of materiality, pushing the unique qualities of glass as elements within the vocabulary of the work; works that are layered and sophisticated while drawn from simple principals of observation. Her work explores concepts and not form as a canvas for her ideas and this is one of the defining qualities about her sculptural practice. 闻卿女士现任教于中国美术学院玻璃艺术专业。我们曾在两个学术项目中有过密切的合作。她在交流的过 程中始终热情友好。2011 年，闻卿女士曾来到澳大利亚堪培拉，在澳大利亚国立大学美术学院研究访学。 很快，她对创作理念的孜孜以求、对素材的熟练驾驭以及对主题展开的得心应手，都给我留下了深刻的印 象。在为期 4 个月的访学期间，闻卿女士通过玻璃雕塑与我院师生积极交流创作理念、创作手法。她的访 学使双方得到了一次难得的文化交流机会，让我们对彼此国家的艺术文化有了进一步的了解。这次交流取 得了极大的成功，也使我们成为了永远的同事和一生的好朋友。 Ms Wenqing is also a key faculty member for the Glass Department at the China Academy of Art. Our two academic programs have worked closely together, and we have built an exchange that has been instigated 1 / 4 and nurtured by Ms Wenqing. Ms Wenqing came to School of Art