论巴扬演奏巴赫D大调前奏曲与赋格(BWV850)的演奏技术.pdf

Abstract John Sebastian Bach is one of the most important composers of music history, in the multitude of works, the Well Tempered Clavier is considered to be the greatest works in Bachs keyboard music, in recent years it has also become the trend of the play bayan. The Bayan through transformvariable damper can choose a variety of sound suitablerespect instrumentcharacteristicsofreductionoftheBaroqueperiodperformance, fluency and singing thebellows canrun performance of Bachs Polyphonic works. There aremore freebass Bayan makes the lefthand of the expanded range, compared with the traditional accordion range is not limited to a eight degree, these factors reflect thepossibility of Bayan accordion works ofBachand suitability.IntheWellTemperedClavier inthefirst volume of the first, fifthD major prelude andFugue (BWV850)isa common repertoireofBaYangperformanceandcompetition,butthelackofrelated research data, this article will discuss Ba Yang playing this piece of performance technology. The full text isdivided intofour chapters, fromDmajor prelude and Fugue (BWV850)work analysis and performance and other aspects of the subject technology. The first chapter is the introduction part, mainly discuss in recent years research situation, the research goal and the significance.The second chapter from themelody, tonality, harmony and otheraspectsoftheDmajorpreludeandFugue (BWV850)analysis.Thethird chapter from the register selection, efforts to control, touch key way, the use of bellows and other aspects of the work performance technology research. The fourth chapter is the conclusion. Keywords: Bach D major prelude and Fugue Bayan accordion Technology