论贾平凹90年代后的文学探索-中国现当代文学专业论文.docxVIP

而然会接受的审美刨造方式；(三)从文学实现的目标上来说，贾平凹宏大的文 而然会接受的审美刨造方式；(三)从文学实现的目标上来说，贾平凹宏大的文 学抱负使他选择了意象这种最具有民族性，最能体现东方思维和东方昧的审美方 式，去通达艺术和人生的最高境界。 二、混沌苍茫的美学风格。90年代后，贾平凹竭力追求着作品风格的混沌与 苍茫。对受到新写实小说明显影响的生活原生态的还原，对以“天人合一”为哲 学基础的整体观豹追求，以及道家美学中意象的多义性，主题和人物形象的模糊 性是形成贾平凹小说混沌感的主要原因。他的作品中流动着宇宙自然与创作主体 的生命情怀相融合的混茫元气和他通过形而下的“有限”呈现出的形而上的“无 限”是形成他的作品的苍茫感的主要原因。 三、寻求超越的文学探索。论文阐述了两个问题。从80年代至今，就代表 作呈现出的风貌而言，贾平凹小说的主题整体上是依次在以下三个层面上展开 的：社会改革的歌颂——自我心迹的告白——人性主题的开掘。人性的揭示触及 到了文学的真正实质。它的价值不在于发现，而在于证明。贾平凹的小说尝试运 用过多种结构，其中以线性为基础的块状结构，给他整体阴柔美的美学风貌增添 了一种崇高美的美学新质。 在最后的总结中，总结和归纳了论文中的主要内容和主要观点，并着重指出 了贾平凹90年代后文学探索的文学史意义。 关键词：贾平凹 意象 道家美学 混沌感 苍茫感 Ⅱ A A Discussion of Jia Pingwa’S Literary Exploration after 1990s Liu Lijun Abstract： Jia Pingwa js one ofthe most productive．most infiuential as well as the most controversial contemporary writers in Chinese mainland．He won great fame and established himself as a great writer among readers due to his amazing productivity,unique literary style and many other literary achievements in the 1 980’S． However,thepublicationofDesertedCity atthebeginningofthe 1990’sbroughtabout great negative effect and made him degrade greatly in society and among his readers as well．After this，though he still keeps his vigorous literary creativity and has finished and published several long novels，it is no easy a job tO bring back his past brilliance for various reasons． It iS a worthwhile subject to study this“Jia Pingwa phenomenon”which has an extensive influence and re圮ords and manifests the development and vicissitude of the contemporary literature．The reasons age as following．First，it will help improve Jia Pingwa’S writing creativity based on the exploration ofhis success and failure．Second， jt makes it possible to evaluate his literary achievements and establish his position in the history of literature，and On the whole to summarize the development of contemporary literature． This thesis is an atteII：Ipt to discuss Jia Pingwij’S literary exploration after 1990’S． It is made up ofthree parts． Part on