试论阴性书写於当代水墨创作中的隐微体现.pdf

試論陰性書寫於當代水墨創作中的隱微體現 孫翼華* 摘要 本文主要是從全球化的框架下，藝術風格、觀念出現「文化雜化」(Cultural hybridity) 的現象來介入文化傳統性的議題，在其演繹的過程中，「陰性書寫」 ( Lecriture Feminine )的隱微感知再現於當今文化脈絡下的可能性；另一方面， 環圍於當代藝術多元視角的場域中，藝術價值試圖放入後現代主義方法學的解 構論、符號學及中西方美學……企圖撥正長期以陰柔氣質為次，陽剛氣質為優 之兩者包裹在一起的意識型態；同時透過不同視角下的指涉意涵，試圖讓陰柔 氣質於水墨創作此一領域，呈現出更為豐富的審美架構。最後，提出在台灣藝 術生態百花齊放的今天，若觀看的視角仍是：水墨與傳統畫上等號，當代與西 方水乳交融，水墨藝術是否將永遠歪斜於當代的邊緣。個人相信：只有當陰柔 氣質與當代水墨不囿於傳統的定義之際，水墨藝術方有可能自在地與當代對 話；陰柔隱微的美學氣質，也才能作為繪畫創作中重要的價值表徵之一。 關鍵詞：陰性書寫、陰柔氣質、當代水墨、隱微 TAO * 國立台灣藝術大學 書畫藝術學系 兼任助理教授 31 Subtle Embodiment of Feminine Writing in Contemporary Ink Painting Yi-hua Sun Abstract In conclusion, the study wants to point out a problematic viewpoint. In the diversified artistic environment of Taiwan, if our viewpoint still rests on erroneous equalities, such as “ink painting equals to the traditional”or “western-styled equals to contemporary,” it is possible for the art of ink painting to be banished forever to the border of the contemporary. It is the author’s belief that, for the art of ink painting to have free exchange with the contemporary, the concepts of Lecriture Feminine and contemporary ink painting must not be confined to the traditional definitions. It is only on this condition that the hidden feminine aesthetics can serves as crucial evaluation for creative works of painting. This study examines the phenomenon of cultural hybridity within artistic styles and conceptions under the frame of globalization. Through this examination, this study engages the issues of cultural tradition, and taps into the possibility of resurrecting