英语小 说汉译剖析.pptVIP

人物语言的个性化 与人物的身份，地位，性格吻合 “Hello, Jim, have I been asleep? Why didn’t you stir me up? “ “Goodness gracious, is dat you, Huck? En you ain’dead -you ain’ drownded-you’s back again? It’s too good for true, honey, it is too good for true. Lemme look at you, chile, lemme feel o’you…”（the Adventures of Huckleberry ) *Dat=that En=and ain’=ain’t=are not Drownded= drowned you’s=you are Chile=child Lemme=let me o’=of 人物语言的个性化 与人物的身份，地位，性格吻合 “I shall hate you till I die, you cad-you lowdown-low-down- what words was the words she wanted? She could not think of any word bad enough. (Mitchell, 1974) 译文：“我要恨你一辈子，你这混蛋-你这下流-下流-”她要用个最恶毒的字眼，可是怎么也想不起来。“ （戴偘等译，1990） 修辞格的广泛运用 修辞格多，语言更生动 The pit bank loomed up beyond the pond, flames like red sores licking its ashy sides, in the afternoon’s stagnant light. ( Odor of chrysanthemums) * 将火焰比作红红的疮疡，对火焰的感觉描写出来，并生出一种隐隐的痛感，lick指舔舐，用于火焰，写活了火焰。 修辞格的广泛运用 修辞格多，语言更生动 Soapy stood still, with his hands in his pockets, and smile at the sight of brass buttons. ( The Cop and the Anthem) 译文：苏比站着纹丝不动，双手插在衣袋里，一见到警察衣服上的黄铜纽扣就笑了。（徐丽娟 2001:62） *brass buttons 运用metonymy的手法，指代警察，语言诙谐幽默。 修辞格的广泛运用 修辞格多，语言更生动 Joe, a clumsy and timid horseman, did not look to advantage in the saddle, look at him, Amelia dear, driving in to the parlor windows. Such a bull in china shop, never saw. (Vanity Fair) 译文：乔胆子小，骑术又拙，骑在鞍上老不像样。“爱米丽亚，亲爱的，快看，他骑到人家客厅的窗子里去了。我一辈子没见过这样儿， 大公牛闯到瓷器店去了。” （杨毕 译） 复杂多变的句式 小说叙述为了打破沉闷，使文字生动活泼，常在句式上做文章，如长短句的结合，圆周句与松散句的迭用等等。这些多变的句式造成了语言的跌宕起伏、灵活多变。当然，也有一些作家因个人的语言习惯或为求得某一特定的艺术效果而采用相对单一的句式，但这种情况似并不多见。