中国当代本土建筑.pptx

中国当代本土建筑 陈衎 TRANSGRESSION AND PROGRESS IN CHINA --- Edward Denison and Guangyu Ren1：The relationship between progress and regress is one of the architectural norms of our age – the hallmark of the mainstream.追求创新和回归历史之间的关系是我们当代建筑主流的标志问题2：More recently, China’s model of architectural progressiveness has adopted much from the West.最近中国的建筑逐渐被西方所认可3：China, as millions migrate from rural areas to urban centres, the old urban fabric has been completely torn up and re-clothed in what has become the standard couture of newness, a convention straitjacketed by ubiquity.中国每年有着数百万的人口从农村走向城市，原有的城市肌理已被完全破坏，城市被新奇的看似无处不在的统一标准所统一。4:Artistically and intellectually he has a closer affinity to the uniquely Chinese literati tradition (the scholarly classthat, through their intellect and status,administered China for centuries until1911) than to his profession.王澍在艺术上和才智上与中国古代文人相契合。4：For Wang Shu, this tradition is a model for contemporary transgressivenessand substantiates his nonconformity. The result is an approach to architectural practice that eschews architectural orthodoxy and proposes a novel vision of progress characterised by cultural intuition, originality and innovation, and a timelessness derived from cyclical temporality rather than deferential to Western constructs of temporal linearity.对于王澍来说传统是对于当代文化的不匹配的一种模型。这导致了王澍用一种规避传统建筑风格，以文化直觉，匠心和创造力为源泉，用一个可持续的而不是西方线性的的逻辑结构来开展建筑实践。5：Wang Shu’s projects subsume the old in order to create something new, whether through material and structural experimentation in small pavilions or the attempt to vertically arrange the traditional courtyard house in ahigh-rise tower.王澍使用历史的逻辑创造新的建筑，不管是从建筑材料，结构，小亭子还是在高层建筑中尝试使用传统的四合院式布局等。6：In a world increasingly liberated from Western modes of thought and practice Wang Shu’s transgressive approach has a wider and more enduring appeal that offers hope to a profession blinded by prevailing yet ultimately outmoded notions of progress.在世界日益摆脱西方思想和时间模式的语境下，王澍提供了一种更加广泛和持久的号召力，对一个被旧观念蒙蔽了双眼的盛行行业提供了希望。Two Extra