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Trade 1
Create Dangerously
The Immigrant Artist at Work PERSONAL REFLECTIONS ON ART AND EXILE FROM
AWARD–WINNING WRITER EDWIDGE DANTICAT
Edwidge Danticat
Create dangerously, for people who read dangerously. This is what
I’ve always thought it meant to be a writer. Writing, knowing in
part, that no matter how trivial your words may seem, someday,
somewhere, someone may risk his or her life to read them.
—Create Dangerously
In this deeply personal book, the celebrated Haitian-American
writer Edwidge Danticat reflects on art and exile, examining
what it means to be an immigrant artist from a country in cri-
sis. Inspired by Albert Camus’ lecture, “Create Dangerously,”
and combining memoir and essay, Danticat tells the stories
of artists, including herself, who create despite, or because
of, the horrors that drove them from their homelands and
that continue to haunt them. Danticat eulogizes an aunt who
guarded her family’s homestead in the Haitian countryside, a
cousin who died of AIDS while living in Miami as an undocu-
mented alien, and a renowned Haitian radio journalist whose
political assassination shocked the world. Danticat writes
about the Haitian novelists she first read as a girl at the Brook-
lyn Public Library, a woman mutilated in a machete attack who
became a public witness against torture, and the work of Jean-
Michel Basquiat and other artists of Haitian descent. Danticat
also suggests that the aftermaths of natural disasters in Haiti
and the United States reveal that the countries are not as dif- “Edwidge Danticat’s prose has a Che-
ferent as many Americans might like to believe. khovian simplicity—an abil
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