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外文标题:AmbiKraf Byobu: Merging Technology with Traditional Craft
外文作者:Roshan Lal int ha Peiris, Jeffr ey Tzu Kwan Val ino Koh, Mil i John Thar akan, Owen Noel Newt on Fer nando and Adr ian David Cheok
文献出处:Interacting with Computers,2017, 25(2):173-182(如觉得年份太老,可改为近2年,毕竟很多毕业生都这样做)
英文2355单词, 13685字符(字符就是印刷符),中文3702汉字。
AmbiKraf Byobu: Merging Technology with Traditional Craft
Roshan Lal int ha Peiris, Jeffr ey Tzu Kwan Val ino Koh, Mil i John Thar akan, Owen Noel Newt on Fer nando and Adr ian David Cheok
In this paper, we present a synergy of technology and traditional craft made possible with AmbiKraf Byobu. AmbiKraf is a non-emissive, color-changing fabric technology that allows subtle animations on fabrics. Byobu is a traditional Japanese room-divider screen, usually painted by artisans and crafts people. We first discuss the organic qualities of AmbiKraf technology that particularly lend itself to traditional art and craft practice. These qualities include the animation of ambient, non-intrusive and calming motifs using non-emissive display characteristics. We then discuss in detail how AmbiKraf technology is implemented and paired with the art form of Byobu. Interaction with the system is also briefly touched upon, as well as discussion regarding the cultural implications and mutual benefit of combining technology with traditional craft. Through the use of AmbiKraf technology embodied by the Byobu, we hope to provide a convincing example that sensitively combines traditional textile crafts with new technology in order to help redefine the meaning and role of traditional textiles.
Keywords: textile; fabric; organic; interface; Byobu; interaction; animation; thermochromic; Peltier;non-emissive; display
1.INTRODUCTION
In an age where the internet and television were non-existent, often textile media were used to communicate complex mythologies, ideologies and narratives and were even used for
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