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外文标题:Evolution of Ci Poetry of the dynasties of Tang and Song in the perspective of dissociation and integration of Shi and Ci
外文作者:WANG Zhaopeng
文献出处: Frontiers of Literary Studies in China,July 2018, Volume 1, Issue 3, pp 449–475 (如觉得年份太老,可改为近2年,毕竟很多毕业生都这样做)
英文5997单词,30958字符(字符就是印刷符),中文7905汉字。
Evolution of Ci Poetry of the dynasties of Tang and Song in the perspective of dissociation and integration of Shi and Ci
Abstract: The development of Chinese literary genres is largely a history of dissociation and integration. Ci and shi are closely associated at all times, separated at one time, and fused with each other at others. A brief survey of dissociation and integration of ci and shi falls into four periods: 1) starting from the early to the mid-late Tang Dynasty (Tang Chao 唐朝 CE 618–907), when ci was derived from shi and no distinction existed between the two; 2) the late Tang Dynasty and the following Five Dynasties (Wu Dai 五代 CE 907–960), during which ci was separated and known from shi; 3) the Northern Song Dynasty (Bei Song 北宋 CE 960–1127), when ci developed and experienced a transform and took an initial inosculation into shi; and 4) the Southern Song Dynasty (Nan Song 南宋 CE 1127–1279), when ci was shifted completely to shi (poetry) and the two were thoroughly merged.
Keywords: ancient Chinese literature, shi and ci of the Tang and Song Dynasties, dissociation and integration, development of Chinese literary genres
1From the early to the mid-late Tang Dynasty: Ci was spawned and just derived from shi; no distinction existed between the two
The period from the early to the mid-late Tang Dynasty witnessed the sprouting of the ci. Literature and documents tell out that the genre of ci came into being in the early Tang Dynasty. The literati, Sheng Quanqi and his peers started creating ci in the early Tang Dynasty. According to Quantang wudai ci 全唐五代词 (Ci in Tang Dynasty and the Followin
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