《议水彩风景的写生与创作—水彩画《春早创作文案论文》-毕业设计（论文）.docVIP

议水彩风景的写生与创作 ——水彩画《春早》创作文案 摘要： 水彩画是人类艺术的表现形式之一，是人类智慧的产物。水彩画做为舶来艺术，在国内发展已有百余年。水彩风景画的创作源于生活，更要高于生活。因此古人学画提出“师造化”，要我们师法自然。本文主要从水彩画的发展及近况、表现语言等几个方面来谈水彩风景画的写生与创作，进而总结出水彩风景中写生与创作二者相辅相成，缺一不可。 引言： 水彩风景画是水彩画的重要表现题材，纵观历史，不论古今中外的绘画大师，他们的风景画创作都离不开写生，写生是创作的基础、灵感的来源；因此古人学画向来师法自然。然而在当今大多数习画者的眼里，似乎写生和创造的联系并不很大，或者相对创作来说，写生来的更容易一些，因为在一般情况下初学者们会习惯性的照猫画虎。事实上，风景画的发展就是从对景写生开始的，从德国巨匠丢勒到英国地形画再到后来的印象主义，画家们的水彩风景画无一不是以写生为基础来进行伟大的艺术创作。 目录 关于水彩风景画······················································· 1.2水彩风景画的发展概述······················································· 1.2当代水彩画特征····························································· 水彩风景画表现语言·················································· 2.1取景与构图 ································································ 2.2造型与色调································································· 2.3从写生到创作······························································· 作品《春早》的创作过程················································ 3.1取材、构思································································· 3.2整理上稿··································································· 3.3正稿制作··································································· 结语···································································· 参考文献······························································ 谢辞········································································ 关于水彩风景画 1.1水彩风景画发展概述 北欧之德国以其旖旎的风光孕育了水彩风景画的成长。德国巨匠丢勒（1471-1528）是最早绘制水彩画的画家，他的水彩画细致、工整，他喜爱、崇拜、赞叹大自然的千姿百态，无论动物植物在他的水彩画中都表现的十分真实，《青草地》、《阿尔卑斯山风景》、《湖畔松林》、《小白兔》是其代表作。后来水彩画逐渐传遍欧洲，在15世纪末16世纪初走上独立发展的道路，但水彩画真正走向独立并得到很好的发展，则是通过18世纪的英国水彩画画家们的共同努力完成的，水彩画堪称英国的“国画”。 16至17世纪水彩画传入英国，作为欧洲主要资本主义国家，频繁的殖民扩张催生了“随军画家”这一特殊群体。从此以对景写生记录为主的地志学风景画风行于英国直到18世纪，在一定程度上促进了英国水彩画的迅速发展，这一时期有很多著名的水彩风景画家都从事过地形画的绘制，例如保罗·桑德比他以熟练的水彩技巧和特有的艺术天赋，面对大自然描绘了富有生命力又充满阳光与空气的水彩风景画，将水彩画向前推进了一步，是最早转入水彩风景画的画家，被誉为“水彩画之父”和“英国民族风景画创始人”。代表作品有《林区风景》、《橡树下的小憩》等。 18世纪末到19世纪初是英国水彩画光辉灿烂的发展时期，几乎所有杰出的水彩画家产生在这一时代，例如托马斯·吉尔丁