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Unit 5 THE MONSTER
He was an undersized little man, with a head too big for his body -- a sickly little man.
His nerves were had. He had skin trouble. It was agony for him to wear anything next to
his skin coarser than silk. And he had seclusions of grandeur.
He was
a monster
of conceit.
Never
for
one
minute
did he look
at the
world
or at
people, except in relation to himself. He was not only the most important person in the
world,
to
himself;
in
his
own
eyes he was
the only
person who existed. He believed
himself to be one of the greatest dramatists in the world, one of the greatest thinkers, and
one of the greatest composers. To hear him talk, he was Shakespeare, and Beethoven, and
Plato, rolled into one. And you would have had no difficulty in hearing him talk. He was
one of the most exhausting conversationalists that ever lived. An evening with him was an
evening spent in listening to a monologue. Sometimes he was brilliant; sometimes he was
maddeningly tiresome. But whether he was being brilliant or dull, he had one sole topic
of conversation: himself. What he thought and what he did.
He had
a mania
for
being
in the right.
The
slightest
hint
of disagreement,
from
anyone, on the most trivial point, was enough to set him off on a harangue that might last
for house, in which he proved himself right in so many ways, and with such exhausting
volubility, that in the end his hearer, stunned and deafened, would agree with him, for the
sake of peace.
It
never
occurred
to
him
that he and
his doing
were
not
of the most
intense and
fascinating
interest
to
anyone with whom he came
in
contact.
He
had theories
about
almost any subject under the sun, including vegetarianism, the drama, politics, and music;
and
in
support
of
these theories
he wrote
pamphlets,
le tters, books
? thousands
upon
thousands
of words, hundreds
and hundreds
of pages. He
not
only
wrote these things,
and published them -- usually at somebody elses expense
-- but he would sit and
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