中国电影导的演代际划分.pptVIP

Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. 中国电影发展的代际划分及特点 Evaluadon only ith Aspose slides for NET 4o client P Evaluation only. Created with Aspose Slides for NET 4.0 Client Profile 171 Copyright 2004 -2017 Aspose Pty Ltd  Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. 中国电影发展的代际划分 中国电影拓荒期——第一代导演 大致活跃于上世纪初叶到20年代末。这一代导演约1oo 人左右,代表人物有郑正秋、张石川、但杜宇、杨小 仲、邵醉翁等, 《难夫难妻》、《歌女红牡丹》等 Evason onn ith Aspose slides for NET 4o client P Evaluation only. Created with Aspose Slides for NET 4.0 Client Profile 171 Copyright 2004 -2017 Aspose Pty Ltd  Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. 二、中国电影成熟期第二代导演 20世纪三、四十年代是中国电影走向成熟的时期 化新登東髮襬矞寘正起騖,菱裟 开始真正从单纯的娱乐—“玩耍”中解放出来 开始比较深入地反映社会生活,从娱乐中发挥社 会功能。在艺术上,这代导演最大的特点是写实 :异赔逐觴鑪毫起艺药基释 化结合 主起物程 士四年代的电影创作构成中国电影的第二代导演群体,代表人 蔡楚生 牧之、史 郑君里 年代左狼电影运动时期的重要创作有:“银幕诗人” 》、《小玩意 要按风江容含禁2(路天使楚生的《渔光 Evason onn ith Aspose slides for NET 4o client P Evaluation only. Created with Aspose Slides for NET 4.0 Client Profile 171 Copyright 2004 -2017 Aspose Pty Ltd  Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. Evaluation only. Created with Aspose.Slides for .NET 4.0 Client Profile 17.1. Copyright 2004-2017Aspose Pty Ltd. 三、新中国“十七年电影”一第三代导演 从1949至1966这十七年被电影史家称为“十七年电影”。 十七年是新中国电影的初创阶段 国电影在内容上发龍生 鲜明的变化,侧重于在银暮上塑造以工农兵为主体的中 金壁的额型,案天新段袋再电能语誓類(:在创作 十七年电影有三大基地:北影、上影、长影 蔡楚生、吴永刚、郑君里、沈浮、汤晓丹、桑弧等 成荫、崔嵬、水华、凌子风和谢铁骊,其中,前四人即 著名的“四大帅”;上影