我对当代工笔人物画色彩的认识.pdfVIP

摘 要 中国工笔人物画色彩是一种重要的艺术语言方式,它比任何事物都强烈地刺 激人类视觉｡并且不同的色彩可以引起人们不同的生理和心理感应,对人的精神 和心理都会产生不可替代的作用｡几千年来,中国绘画色彩的演变和发展,有着自 己独特的规律,并且在用色上都有其法度可寻｡工笔人物画在漫长的历史发展过 程中经历了一系列的演变和创新,其色彩作为表现人物形象鲜明特色的重要组成 部分也经历了一系列的改变和创新｡ 中国古代绘画有淡彩和重彩之分,淡彩是用水性植物色所绘,其特点为“微加 点缀”, “不求晕染”, “雅致清淡”;重彩是用矿物质色所绘,其特点为 “色彩浓 烈”､ “富丽堂皇”､ “厚重古朴”｡直至今日中国画中仍然使用水色和矿物质色 这两类天然颜色,而这不仅仅是东方艺术精神的体现,也是画者情感的呈现｡因此, 我们要在具备起码的色彩知识基础上再深入的研究当代工笔人物画色彩在不同 时代用不同的材料和不同的表现方式而形成的具有当代文化属性的色彩审美｡ 本文将通过文献研究,图像分析的方法,对色彩进行分析和梳理,使大家认识 到色彩在工笔人物画发展中的重要性,并结合当代工笔人物画家对色彩的研究成 果和不同的色彩风格进行作品分析,最后通过自己学到的色彩知识,把对色彩的 理解应用到自己的创作中｡ 关键词:当代 工笔人物画 色彩 I Abstract Chinese fine brushwork figure painting color is an important art language way. Color stimulates human vision more strongly than anything else. Different colors can cause different physiological and psychological induction, and have irreplaceable effect on human spirit and psychology. For thousands of years, the evolution and development of Chinesepainting color has its own uniquerules, andthere are its own methods to find in the use of color. Meticulous figure painting has experienced a series of evolution and innovation in the longhistory of development, and itscolor,as an important part of the vivid characteristics of the characters, has also experienced a seriesofchangesandinnovation. Ancient Chinese painting can be divided into light color and heavy color. Light color is painted with water-based plant color, which is characterized by little ornament, no halo dye, elegant and light; heavy color is painted with mineral color, which is characterized by strong color, magnificent, thick and simple. Up to now, two kinds of natural colors, water color and mineral color, are still used in Chinesepainting,which isnot only the embodiment of OrientalArt Spirit,but alsothe presentation of the painters emotion. Therefore, we need to have at lea