向自然致敬—探析秦文琛小提琴协奏曲《山际线》.pdfVIP

摘要 《山际线》是秦文琛为小提琴谱写的第一首协奏曲，这部作品的音乐语言是非 常简洁、凝练的。在作曲家的所有作品中属于较传统的一部作品。他在创作中运用 了多层次技术处理的轴心音，或称之为“同音控制法”。在音乐的整体结构上，对 于时间的长度、音色的转换、节奏等都做了整体安排。在秦文琛的音乐创作中试图 将中国绘画非常注重的线条思维融入在乐曲整体的音乐形态中。 本文中，笔者想通过分析该作品中的配器特点、音高组织特点、结构布局等方 面，以及对作曲家秦文琛音乐创作的音乐语言、形态的深入了解，总结出具有中国 当代音乐创作特色的部分特点。 论文共分为四个部分。其中第一部分为，绪论：选题缘由，研究现状。第二部 分正文：作曲家介绍与创作阶段及其特征，其中包括中国传统文化对其音乐创作的 影响和西方音乐创作技术对其音乐的启发，以及《山际线》的创作背景。第三部分 针对作品的作曲技法如：音高组织方法，横纵向音高组织及“同音控制法”技术的 运用，“宽线条”技法与模仿复调的运用，配器音色特点，音乐宏观结构等进行分 析。第四部分，阐述了笔者对作曲家及其作品中音乐观念和美学意蕴做出的理解。 关键字：秦文琛，作曲技法，小提琴协奏曲，音高陈述方式，音色-音响 i Abstract 《The Border of Mountains》 is Qin Wenchens first concerto for violin. The music language of this work is very simple and concise. Among the works of the composer is a more traditional one. In his c reation, he used multi-level technique to deal with axis sound, or homophonic control method. In the overall structure of music, the length of time, timbre conversion, rhythm and so on are arranged as a whole. In Qin Wenchens music creation, he tried to integrat e the line thinking of Chinese painting into the whole music form. The composers deep research on the form of Chinese folk music has obtained the musical technique of 《The Border of Mountains 》. The author wants to summarize some characteristics of contemporary Chinese music creation by analyzing the characteristics of orchestration, tonal organization, structural layout and other aspects of the work, as well as the deep understanding of the language and form of music created by composer Qin Wenchen. This paper consists of five parts. Introduction: the reason of selecting the topic and the present situation of the research. Chapter one: the introduction of the composer, the stage of creation and its characteristics.