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目录
目 录
1 绪论············································································································· 1
1.1 研究背景与现状······················································································1
1.2 研究内容与方法······················································································2
1.3 论文的研究意义······················································································2
2 桃花坞与凤翔木版年画的概述············································································3
2.1 木版年画的起源······················································································3
2.2 木版年画的产地分布················································································3
2.3 桃花坞与凤翔木版年画·············································································4
2.3.1 桃花坞与凤翔木版年画的地域背景·····················································4
2.3.2 桃花坞与凤翔木版年画的人文特征·····················································5
2.3.3 桃花坞与凤翔木版年画的艺术特色·····················································6
3 桃花坞与凤翔女性人物年画的构图比较分析··························································7
3.1 桃花坞与凤翔女性人物年画构图分析···························································7
3.1.1 桃花坞女性人物年画构图分析···························································7
3.1.2 凤翔女性人物年画构图分析······························································9
3.2 桃花坞与凤翔女性人物年画形式分析·························································11
3.2.1 桃花坞女性人物年画形式分析··························································11
3.2.2 凤翔女性人物年画形式分析·····························································13
4 桃花坞与凤翔女性人物年画的造型比较分析························································15
4.1 桃花坞与凤翔女性人物年画的人物面部造型比较··········································15
4.2 桃花坞与凤翔女性人物年画的人物服饰装饰图案比
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