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Unit 4
A View of Mountains
Jonathan Schell
1.
On August
9,
1945,
the day
the
atomic
bomb
was dropped
on
Nagasaki,
Yosuke
Yamahata,
a
photographer serving in the Japanese army, was dispatched to the destroyed city. The hundred or so
pictures
he took
the next
day
constitute
the
fullest
photographic record
of
nuclear
destruction
in
existence. Hiroshima, destroyed three days earlier, had largely escaped the camera
’ s lens in the firs
day
after
the
bombing.
It
was
therefore
left
to
Yamahata
to
record,
methodically
- and,
as
it
happens, with a great and simple artistry
–the effects on a human population of a nuclear weapon
only hours after it had been used. Some of Yamahata
’ s pictures show corpses charred in the peculiar
way
in
which
a
nuclear
fireball
chars
its
victims.
They have
been burned
by
light
– technically
speaking,
by the
“ thermal pulse
”- and
their
bodies
are
often
branded
with
the patterns
of their
clothes, whose colors absorb light in different degrees. One photograph shows a horse twisted under
the cart it had been pulling. Another shows a heap of something that once had been a human being
hanging
over
a
ledge
into
a ditch.
A third
shows
a
girl
who
has
somehow
survived
unwounded
standing in the open mouth of a bomb shelter and smiling an unearthly smile, shocking us with the
sight of ordinary life, which otherwise seems to have been left behind for good in the scenes we are
witnessing. Stretching into the distance on all sides are fields of rubble dotted with fires, and, in the
background, a view of mountains. We can see the mountains because the city is gone. That absence,
even more than wreckage, contains the heart of the matter. The true measure of the event lies not in
what remains but in all that has disappeared.
2.
It took a few seconds for the United States to destroy Nagasaki with the wo
rld
’ s second atomic
bomb,
but
it
took
fifty
years for
Yamahata ’ spictures
of the
event
to
make
the
journey back
from
Nagasaki
to the
United
S
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