清末民初颜体书风与华世奎书法研究.pdfVIP

摘要 摘 要 华世奎是晚清至民国期间天津著名的书家。他出身名门，自幼受家学影响，习书甚勤， 上至榜书，下至蝇头小楷，无不临习，而尤以擅长颜楷著称于世。华世奎一生历经满清覆 灭、民国革命，也曾在内阁担任要职，清亡后弃官并返回故里，深居简出，潜心研习书法 与诗歌，不再过问时政。此后，虽曾有故人多次请他出任民国官员，但他心系故君，以“清 遗民”自居，最终在书法上取得了突出成就。 本文以华世奎颜体书风为主要研究对象，通过对清末民国时期的 “崇颜”现象进行分 析，阐释这一时期部分满清遗老对颜体书风的追捧，以及 “清遗民”心态影响下形成的时 代书风。论文分为四个部分：第一部分介绍了华世奎的生平，其中包括他家族背景及艺术 追求的道路。并通过他与 “清遗民”高凌雯、章钰等人交游映射出当时这一批旧文人的审 美观念，而与冯玉祥的交往则反映了他同时受到具有新观念军阀、政要的认可。第二部分 则是对清末民国颜体书风的阐述，介绍了颜体书风在晚清碑学盛行的大环境下，代表了继 承与守旧的一脉书风，且受到新旧两派的支持与追捧。究其原因，华世奎作为颜体书风代 表人物，并非一味模拟形似，而是渐成自家风貌。通过华世奎与钱沣、翁同龢、谭延闿等 颜体书家的比较，可以证实这一点。第三部分对华世奎书风进行了断代分期，大致可分为 少年时期、青壮年时期、中晚年时期，而不同的时期呈现出不同的风貌。华世奎的书法风 格不仅随着年龄改变，也受到时代与环境的影响，尤其是 “遗民”心态对其 “崇颜”观念 的影响更加不可忽视，从而形成其特有的审美特点。第四部分则是对华世奎书法在清末民 国期间的历史地位进行客观评价，论其得失。通过对华世奎颜体书风的具体分析，可以从 一个角度反映那个时代的书风潮流，以及 “清遗民”为代表的文人阶层对书风审美的接受 观。 关键词：华世奎；颜体；晚清书风；清遗民 I Abstract Abstract Hua Shikuiwasa famouscalligrapher in Tianjin from the lateQingDynasty totheRepublic of China. He was born in a famous family. Influenced by his family, he was very diligent in learning books.From thetop tothe top,from thebottom tothe top,hewas always on probation. Hewas especially famous for being good atYan Kai.Hua Shikui experiencedthe collapse ofthe Qing Dynasty and the revolution of the Republic of China. He also served as an important position in the cabinet.After the death of the Qing Dynasty, he abandoned his official post and returned to his hometown. He lived in seclusion, devoted himself to studying calligraphy and poetry, and no longer cared about current affairs. Since then, although he has been invited to serve as an official of the Republic of China for many times, he was deeply attached to the old king andregarded himself as a Qing Dynasty relic, and finally made outstanding achievements in calligraphy. This