唐代织锦纹样陵阳公样的窠环形式流变研究.docxVIP

唐代织锦纹样陵阳公样的窠环形式流变研究 A study of the Lingyanggongyang ring form in the brocade pattern of the Tang dynasty LIU Chunxiao1， SHAN Xiaoqiu2， ZHANG Yi1 （1.Institute of Textile and Apparel， Jiangnan University， Wuxi *****， China; 2.School of Art， Nanjing University of the Arts， Nanjing *****， China） Abstract： Under the background of cultural integration in the Tang dynasty， the next ring form change of the Lingyanggongyang pattern was not only the result of the evolution of pattern subjects， but also the reflection of the the audience’s life state and ideological cognition. Through the image reverse analysis method， the textual research was conducted on the Lingyanggongyang patterns earthed from Xinjiang Tulufan， Qinghai， Dulan， Gansu Dunhuang. Meanwhile， in combination of the history of Tang dynasty and under the background of integrating three cultures including national culture， culture at home and abroad， and north and south culture， the development of ringshaped skeleton and the image information of nest ring pattern characteristics were summarized， and the deep cultural connotation of the nest ring pattern and the public aesthetic direction were obtained. In addition， the mapping relation between psychological states thinking mode of the public in Tang dynasty and rheology of nest ring pattern of the Lingyanggongyang pattern was analyzed. Key words： Lingyanggongyang pattern; nest ring; integration; formal characteristics; mapping relation “團”即“圆”，“窠”即“穴”，为特定范围的意思。团窠图案的“窠环”是指具有圆形纹样轨迹和特定图案范围的环形纹样。张彦远在《历代名画记》卷十载“窦师纶，字希言……封陵阳公……凡创瑞锦、宫绫，章彩奇丽，蜀人至今谓之陵阳公样……高祖、太宗时，内库瑞锦对雉、斗羊、翔凤、游麟之状，创自师纶，至今传之”，可知文献记载的陵阳公样始于初唐时期。田自秉在《中国纹样史》中，将唐代定为动物纹时期向花草纹时期过渡的转折时期，有丰富的历史研究价值。许新国等对都兰、吐鲁番、敦煌等地出土的相同形式图案的唐代织锦按照年代罗列法进行整理，对唐代陵阳公样窠的环骨架与纹样进行了详细描述。通过对上述资料的参考，以唐代自信的社会风尚和包容的文化政策为背景，对新疆、甘肃等地出土的唐代织物图形与年代资料进行收集，采用倒序图像分析法，将陵阳公样窠环形式演变过程与社会背景结合分析，可映射出唐代社会受众的状态写照与心之所向。 1陵阳公样窠环形式的形成背景 追溯陵阳公样窠环形式形成，不可忽略唐代的“大融合”背景。陵阳公样现于初唐，与唐代的文化交流政策、交通及对待外来文化的态度上有不可忽略的联系。本文从民族文化、中外文化和南北文化的交融三个层面，分析