鲁迅美术学院本科毕业论文摘要、目录、正文样本正式版.docVIP

刘勰“神思”观与维柯“诗性智慧”观比较研究 鲁迅美术学院本科毕业论文 PAGE II PAGE III 鲁迅美术学院本科毕业论文 四号仿宋_GB2312三号黑体居中中间一个汉字字符距离页眉标题居中，宋体小五号，奇数页为鲁迅美术学院本科毕业论文，偶数页为论文题目。摘 要 四号仿宋_GB2312 三号黑体居中 中间一个汉字字符距离 页眉标题居中，宋体小五号，奇数页为鲁迅美术学院本科毕业论文，偶数页为论文题目。 在中西方美学关于想象的问题上，刘勰的“神思”观和维柯的“诗性智慧”观较具有代表性，本文将从文化根基、主要观点以及思维模式三个方面展开对二者的比较，并在此基础上指出二者对当代中西方美学或艺术产生的影响。在文化根基方面，刘勰的“神思”观深受儒道文化的影响，同时也吸纳了佛教文化的一些观念，而维柯的“诗性智慧”观则植根于西方文艺复兴后期的文化环境，受到了文艺复兴及启蒙运动时期的思想文化影响。在主要观点方面，刘勰提出了“文之思也，其神远矣”，并从多个角度进行了阐释，而维柯则提出了“诗性智慧”的观念，并论述了关于它的两个基本原则，即“以己度物”的隐喻和具体人物代表的“类概念”。在思维模式方面，刘勰强调的“神思”呈现出线性的思维，而维柯的“诗性智慧”则是呈现出发散性的思维模式，将一切学科向“诗性智慧”的方向发展。“神思”观与“诗性智慧”观都是对于想象问题的思考，这个问题在中西方美学或艺术上都有着重要的影响，在当代的中西方美学或艺术中仍然具有重要的价值。? ? 页面底部左对齐，小四号宋体 页面底部左对齐，小四号宋体。 四号黑体 四号黑体 关键词：刘勰；维柯；神思；诗性智慧；想象 三号Times New Roman加粗居中 三号Times New Roman加粗居中 小四号Times New Roman ?Liu?xie’s “Shensi” and Vico’s “poetic wisdom” are representative on the imagination of the Chinese and Western aesthetics, this paper?compares?“Shensi” and “poetic wisdom” from three parts, such as their cultural background, main points and thought?patterns, and from those parts, this paper also wants to point out the influence of their ideas in contemporary Chinese and Western aesthetics or art. From the part of cultural background, this paper has found that Liu xie’s “Shensi” was influenced by the Confucianism and Taoism cultures and as the same time, it’s also absorbed a great deal of the Buddhism. But Vico’s “poetic wisdom” was rooted in Renaissance; this idea was affected by the culture of Renaissance and The Enlightenment. Comparing their main points, Liu xie has proposed, “The thoughts of writing will go far away when you are creating.” and demonstrated it in many ways, but Vico proposed his point: “poetic wisdom” and interpreted two principles: “metaphor” and “intelligible class concepts of things”. In the part of thought patterns, this paper has found that the process of Liu xie’s “Shensi” is?like the linear mode of thinking，but the logic of Vico’s “poetic wisdom” is like Divergent thinking, making all the su