浙江筝曲《月儿高》不同演奏形式的探索与实践.pdfVIP

√ 培养类型 □学术学位 □专业学位 学 号 20151703036 浙江筝曲《月儿高》不同演奏形式的探索与 实践——以两版《月儿高》为例 李秉洋 摘 要 浙江筝派在继承传统筝乐的基础上拥有了长期发展的历史积淀，并形成了独特的风格特 点。本文以王巽之先生传谱的独奏版本为参考对象，尹璐老师改编的三重奏版本为研究对象， 进行探索与分析。王巽之先生传谱的独奏版本调式和谐统一，旋律优美欢快，同时使得浙江 筝派的演奏技法得到更多的展现空间，更具流派特点。尹璐老师改编的三重奏的演奏形式， 在传承独奏版本的基础上，一定程度上丰富了此曲的织体语言、音响厚度，增强了乐曲的表 现力。无论是王巽之先生传谱的独奏版本，亦或是尹璐老师改编的三重奏版本，虽然在演奏 形式上不同，但他们对于乐曲所要表现的旋律风格的理解是一致的，不仅充分展现出浙江筝 曲《月儿高》及其丰富的内涵、无以言表的情感，以及浙江筝曲的旋律风格特点，同时使得 浙江筝派的表现形式有更大的展现空间，体现了浙江筝派的特点。 关键词：浙江筝派 演奏形式；独奏 重奏 Abstract The faction of Zhejiang GuZheng inherited the traditional Guzheng music and had a long history and historical accumulation, and formed a unique style characteristics. This article takes the solo version of Wang Xizhis biography as a reference object, and trio version adapted by YinLu as the object of study. Wang Xizhis solo version of the spectrum was harmonious and unified, the melody was beautiful and cheerful. At the same time, it made the faction of Zhejiang GuZheng playing techniques more show space and More genre features. Based on the solo version, Yin Yuns adaptation of the trios performance form enriches the body language and thickness of the sound for the song to some extent, and enhances the expressiveness of the music. Whether it is the solo version of Wang Xizhis pass, or the trio version adapted by Yin Xuan, although they differ in their playing style ，they have consistent understanding of the melody and style in the music. it not only reflect the Zhejiang Guzheng m