晋语寿阳方言的声调格局和连调模式.pdf

摘 要 论文共四章。 第一章主要介绍寿阳概况，晋语和寿阳方言研究现状以及具体的实验方 法和实验过程。实验采用了选取青年、中年、老年发音人各4位，用Praat 软件进行语音分析处理，数据提取，并用Excel2010软件对数据进行处理， 将得出的数据归一化。 第二章系统分析了寿阳方言的单字调的音高和时长。将单字调的基频值 进行归一化处理，得到了五度调值平声21，上声52，去声23，阴入21,阳 入52，上声和阳入调值接近，平声和阴入调值相近。时长同样归一化之后 得出单字调舒声调平声和去声最长，其次是上声，促声调中，阴入普遍长于 阳入。舒声调时长和促声调时长仍存在差异。 第三章分析了寿阳方言的双字调模式的音高和时长。实验得到的双字调 变调模式与传统听感描写有差异。调域方面双字调调域小于单字调调域，男 女声调域相比，调域上下限女声比男声高，调域跨度女声比男声宽。时长方 面寿阳方言男女声时长人际差异不太明显，但舒促对立比较明显。 第四章对寿阳方言较有特色的问题重点讨论。得出寿阳方言阴平、阳平 合并为平声；时长在寿阳方言声调系统中是一个重要的区别性特征；寿阳方 言高降调存在两条变调规则：一是当高降调位于词的末尾时，统一降低调阶， 变为低降调，该规则为模板变调规则。二是当两个高降调并列时，如：上声 与上声相连，阳入与阳入相连时，前一个字调阶降低，为强制曲折规则（OCP）。 这两条规则的作用顺序是OCP规则先于模板变调规则。 I 目录 第一章 绪论·································································1 1.1寿阳概况······································································1 1.1.1地理位置···································································1 1.1.2建制沿革···································································1 1.1.3行政区划···································································2 1.1.4寿阳方言概况·····························································3 1.2晋语并州片的语音研究现状··············································3 1.2.1晋语并州片声调的实验研究···········································3 1.2.2晋语并州片连读变调研究··············································3 1.2.3寿阳方言声调研究概况·················································4 1.3寿阳方言音系································································4 1.4研究方法、目的·····························································6 1.4.1研究方法···································································6 1.4.2研究目的···································································6 1.5实验说明······································································7 1.5.1发音材料···································································7 1.5.2发音人··············