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- 2026-03-16 发布于北京
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GermandesignabouttheBauhausLesson2
AsmentiontoGermandesign,wewillthinkoftheBauhausfirst.TheBauhausschoolofdesigninGermanychangedthewaythattheworldthoughtaboutdesign.德国包豪斯设计学院改变了世界对设计的看法。
TheBauhauswasfoundedinWeimar,Germanyin1919byarchitect,WalterGropiuswiththeaimof?bridgingthegapbetweenart,designandindustryandunifyingallthree.?魏玛沃尔特格罗皮乌斯Bridgethegapbetween消除(…之间的)隔阂包豪斯于1919年,在德国魏玛由建筑师沃尔特.格罗皮乌斯建立。其目标是消除艺术、设计和工业三者之间的隔阂并式它们相互联结。
Itwasaschoolwherestudentsreceivedtheoreticalandpracticaltraininginallofthefinearts-ceramics,murals,stainedglass,metalwork,bookbindingandfurniture-making–andlearnedtocombinethesefineartskillswithnewtechnologiestodesignandmanufactureproductsthatwerebothbeautifulandpractical.精细工艺在这所学校里,学生获得所有精细工艺方面的理论和实践培训,包括陶瓷、壁画、彩色玻璃、金属制品、装订和家具制造,他们学习把这些艺术技巧与新技术应用到设计和制造美观实用的产品当中。[θ??‘ret?k(?)l]理论的[s?‘r?m?ks]陶瓷[‘mj?r?l]壁画[ste?nd]着色的
CHAIRWITHARMRESTS,design:MiesvanderRohe(1927)
B65DESK,design:MarcelBreuer(1929/30)TUBULARSTEELCHAIR,design:MartStam(1928)
CRADLE,design:PeterKehler(1922)ME105CEILINGLAMP,design:MarianneBrandt/HansPrzyrembel(1926)FRUITBOWL,design:JosefAlbers(1923)TABLELAMP,design:CarlJacobJucker/WilhelmWagenfeld(1923/24)DOORHANDLEfortheBauhausBuildinginDessau,design:WalterGropius(1929)TEAMACHINE,design:MarianneBrandt(1928/30)
GropiuswasinfluencedbytheoldArtsandCraftsmovementofthelate19thandearly20thwhichhademergedasaresponsetotheintenseindustrializationofVictorianEngland.?Itsaimhadbeentobringartistsandcraftspeopletogethertoensurethesurvivalofbeautifulcraftsmanshipinthefaceofmechanizedlabour.ArtsandCraftsmovement工艺美术运动Emerge[?m??d?]出现Survival?[s?‘va?v(?)l]存活Labour?[le?b?]劳动力Craft工艺品Craftsmanship工艺Mechanized[‘mek?naizd]机械化的格罗佩斯受到了19世纪末20世纪初的作为对高度工业化的英国维多利亚时代反应的旧工艺美术运动的影响。其目的是将艺术家和工匠结合在一起,确保机械化劳动下的美的工艺品的存在。
Gr
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