浅析张爱玲作品的色彩美.docVIP

【标题】浅析张爱玲作品的色彩美 【作者】齐 晓 枫 【关键词】Zhang Ailing is fond of using color in her creation for many reasons among which the most direct reasons are that she has the original opinion about color when she was very young and raise her artistic intuition since her childhood. She feels the color around her and apperceives her life as well as enjoys the beauty of color in her life according to her unique and keen insight. Meanwhile, she learns to observe the world upon the artists’ insight and use flowery words to record life owe to her well education of aesthetics, so to some extent her works give us more feeling about color than other artists’. Moreover, Zhang Ailing is good at hinting people’ characteristics, showing people’s instant mentality and suggesting people’ fate by the use of color in the creation. Also, her use of color in the works has also developed some unique characteristics: tones of warm and cold, irregular comparison and symbol. In Zhang Ailings writing, the color is no longer a simple language or character, but the grasp of language by superb which annotates and exceeds the boundless universe and could not be understood by ordinary person. 【指导老师】张 江 元 【专业】汉语言文学 【正文】引言张爱玲以她一生的创作所建构的是一个富于色彩的个人化的独语的传奇世界。不少研究者运用理性的目光,发现张爱玲极度关心人性在现代社会里的迷失,人情在金钱诱惑下的冷漠,以及由此产生的对生命本体的思考。其中研究得最多的主题是张爱玲作品中多蕴含的女性意识，人性思考、意象分析、艺术特征等。但学术界对张爱玲作品的色彩描绘的研究还没有形成专著，但这方面也引起了很多专家、学者的关注，通过论文形式对张爱玲作品中的色彩进行论述。比如：吴进,?扬州教育学院中文系讲师。他著的《论张爱玲小说中的色彩语言》中认为其中的色彩语言是张爱玲感悟人生、揭示人性、反映社会的一种具有特殊个性的物质载体;?也是张爱玲作为一个“语言大师”所特有的“语言的独创性、丰富性和深刻性”的一个横切面。陆汉军，南宁师专中文系老师。他著的《色彩人生：论张爱玲小说的色彩语言》介绍了张爱玲小说的色彩语言的运用的原因及表现,从一个角度来窥视她的小说艺术的无穷魅力。一、张爱玲创作喜用色彩的缘由自然万物都各有各的生命，各有各的色彩，人们对世界的感知总离不开对色彩的视觉感知。刘勰在《文心雕龙?原道第一》中说:“龙凤以藻绘呈瑞,虎豹以炳蔚凝姿;云霞雕色,有逾画工之妙；草木贲华,无待锦匠之秀夫岂外饰,盖自然耳。”?张爱玲对色彩尤为敏感,她说:?“不知为什么,?颜色和气味常常使我快乐。”?[1]她又说:?“颜色这样东西,?只有没颜落色的时候是凄惨的；?但凡让人注意到，总是可喜的,?使这世界显得更真实。”?[2?]她还说：“有了个颜色在那里了,?使人安心。”[3]她的“快乐”和“凄惨”也是以能否见到颜色作为一个区分标志，足见她对色彩的情有独钟，而且自觉地把这种喜好融入她的文学创作中，她笔下的色彩世界自然天成,异常丰富，首先就形成这一特点的原因进行分析。张爱玲的童年是不幸的，但并没有抑制她艺术细胞的生长。《私语》是一篇追忆童年往事的散文