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An Analysis on Rewriting of Little Red Cap in terms of Morality and Feminism
Acknowledgements
In writing this paper, I have benefited from the presence of my dear classmates. They generously helped me collect materials I needed and gave me the invaluable suggestions. I hereby extend my grateful thank to them for their kind help, without which the paper would not have been what it is, Particularly my classmates and friends Zhang Yan and Wang Zhen, whose brilliant ideas and perceptive have proved immensely constructive.
Particularly, I am deeply indebted to teacher Shen Qi, my supervisor, who guided me throughout my writing of this thesis. He carefully read the whole draft and offered painstaking and precious criticism. His standards of academic excellence have made my revision an exciting and gratifying experience.
My parents took good care of my life and gave me a lot of encouragement when I was working at this thesis. They always share my weal and woe. I feel much grateful and heartily owe achievement to them.
Lastly, none of this would have been possible without the help of those individuals and organizations hereafter mentioned with gratitude: our school library and its staff, the library of Henan University of Technology.
Abstract
The story of the Little Red Riding Hood is one of the best loved fairy tales of all time. It has many different versions, among which Grimm’s is the most famous and widely known. What people are familiar with is the little cute, innocent girl with her little red cap, who is swallowed by the wolf and saved by the hunter. While, its original version and other versions are not widely known and its implied meanings are always ignored. This paper analyzes the Little Red Riding Hood based on three typical versions from the perspective of moral and feminism. Little Red Riding Hood was originally orally told in the French countryside and then first written down by Charles Perrault in 1697. It’s a moral tale, warning girls
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