美人翻恨女儿身 _ 试探吴藻创作动因.pdfVIP

论 文 摘 要 作为清代中期重要女词人，无论从自身创作风格与创作内容，还是从身世经 历与时代背景看，吴藻都有其独特之处。本文正是以吴藻词作为切入点，通过分 析她的词作内容和风格，家世背景与个性气质，与前代女词人创作的异同点及交 游聚会等社交活动的考察，从中找出影响她创作的方方面面。既是对吴藻史料的 一次整理和梳理，同时也是对她的思想变化过程和以她为代表的清代女性文人的 创作行为与思想轨迹的关照。文章第一部分主要分析吴藻词作风格与内容，以 “爱”与“愁”概括其词作主要内容，并特别以“愁”为重点论述对象，分析《花 帘词》时期与 《香南雪北词》时期“愁”的内涵的不同侧重，同时概括了吴藻创 作的四种风格。第二部分则从吴藻的家世经历、性格喜好、气质思想分析影响她 创作的个人原因。第三部分则整理吴藻与朱淑真在婚姻经历与个体感受上的相似 之处，从吴藻在词作中表现出来的对朱淑真的理解与感同身受，论述前代文学女 性给吴藻带来的“同调之感”对其创作的影响。第四部分则从时代背景的特征出 发，通过对吴藻交游活动的梳理来寻找清代中期文学女性社交活动的内容和特 点，从而找出时代在吴藻的创作中留下的痕迹，更从中发现时代与其本身渴望的 矛盾对其创作的影响。本文是对吴藻创作动因的一次全面系统的整理，是对她身 上所体现的女性与文学、女性与时代的矛盾一次彻底的梳理。 关键词：闺阁才女 女性文人 婚姻不谐 碧城仙馆女弟子 Abstract As an important female ci poet in the middle of Qing dynasty, Wu Zao is special for her own creative style and substance, as well as her personal experience and time background. From this point, this thesis takes Wu Zao’s ci poem as the point of penetration, through the analysis for the content and style of her writings, family background and personal characteristic, the similar and differential way compared with other female ci poet previously, and her societal activities to look for the factors that influence her creation. This is not only a sort out for the historical source of Wu Zao’s ci poem, but also a consideration for her evolution course of her thoughts as well as creative and thinking ways as the representative of female litterateurs of Qing dynasty. At the first part of this thesis, it analyzes the creative style and content of Wu Zao’s ci poem, generalizes the “love” and “melancholy” as the key words of her writings, especially emphasize the “melancholy”, in that case, this part analyze the different “melancholy” in two period which is the period of writing Hua Lian Ci and the period of writing Xiang Nan Xue Bei Ci. Mea