从陕西筝派筝曲《五陵吟》看陕西筝派的风格特色。pdf.pdfVIP

摘 要 秦筝陕西流派是在建国后，随着西安音乐学院筝专业学科的建立而被正式提出的， 它是一支建立在筝专业学科建设上的群体力量，并以其强烈地细腻委婉、凄苦悲凉、深 情意绵、慷慨激越的艺术特色在中国筝派中独树一帜。陕西筝派独到的风格特色是依靠 作曲家创作的优秀作品，并通过演奏家运用精湛的演奏艺术所呈现出来的。只有对陕西 筝曲演奏艺术的深入学习，才能更好地掌握陕西筝派的风格特色。笔者的导师魏军先生 就是这一流派的重要代表人物之一，他对筝史方面的探索、筝曲的创作以及秦筝演奏技 法的研究等等，均为筝界乃至音乐界同仁所瞩目，“常常能道人之所未道，于秦筝学术 多有创新。” 本文以魏军先生创作的筝曲《五陵吟》作为立足点，对作品的创作背景、旋律层面 和技术性进行研究和解释，以小视角简要分析陕西筝派的风格特色。期望能够为演奏者 在演奏筝曲《五陵吟》及这一流派的筝曲时更好把握作品的风格提供理论依据与参考价 值。 关键词：魏军 《五陵吟》陕西筝派筝曲 风格特色 I ABSTRACT With Zheng instrument set up in Xian Conservatory of Music ，Shanxi school of Qin Zheng was formally proposed after the founding of The Peoples Republic of China，which is a group established on the strength of professional disciplines construction. Shanxi school of Qin Zheng is unique in Zheng schools in China through artistic features of strong delicate euphemism 、bitter sadness 、deep feeling、 passion and generosity. The characteristic style of Shanxi school of Zheng is presented through excellent works written by composer and exquisite performance art used by performers. Only further study of playing skill can better grasp the style characteristics in Shanxi school of Zheng. Mr. Wei Jun the authors mentor is one of the important representatives of this genre, who attracts great attention in the Zheng world and even the music world because of his exploration of Zheng history 、his composition of Zheng music and his research of playing techniques. He often says that others never say, and makes more innovation on the academic of Qin Zheng. This article takes “A Song of The Five Mausoleum of Emperor” created by Wei Jun who is a representative of Shanxi school of Zheng as foothold ，researches and explains this work from the creating background 、melody